The production of sculptural fibre objects has a long history within Australian indigenous culture. Historically such objects had practical or ceremonial purposes, and some appeared in both contexts. The terms “art” and “craft” are difficult to apply in historical contexts, as they are not originally Aboriginal conceptual divisions. However, in a contemporary context, these objects are now generally regarded as contemporary art whenever they are presented as such. This categorisation is often applied to objects with historically practical or ceremonial applications, as well as a growing category of new fibre forms which have been innovated in the past decades and produced for a fine art market. The border between Aboriginal fibre sculpture and fibre craft is not clearly delineated, and som