DCI-P3

DCI-P3, or DCI/P3, is a common color space for digital movie projection from the US-American film industry. It covers most of the range of naturally occurring surface colors (after Michael R. Pointer, 1980; 85.5% in CIE 1931, 86.9% in CIE 1976 u’v’) with the most distinct drawbacks in the green-blue range. The covered area in the range of colors perceptible for humans (CIE 1931: 45.5%, CIE 1976: 41.7%) is equally great in the CIE 1931 color space as with the Adobe RGB color space (45.2%, 38.7%), albeit slightly shifted towards red. The blue primary color is the same as sRGB and Adobe RGB; the red primary color is a monochromatic light source and has a wavelength of 615 nm. DCI-P3 was defined by the Digital Cinema Initiatives (DCI) organization and published by the Society of Motion Picture

DCI-P3

DCI-P3, or DCI/P3, is a common color space for digital movie projection from the US-American film industry. It covers most of the range of naturally occurring surface colors (after Michael R. Pointer, 1980; 85.5% in CIE 1931, 86.9% in CIE 1976 u’v’) with the most distinct drawbacks in the green-blue range. The covered area in the range of colors perceptible for humans (CIE 1931: 45.5%, CIE 1976: 41.7%) is equally great in the CIE 1931 color space as with the Adobe RGB color space (45.2%, 38.7%), albeit slightly shifted towards red. The blue primary color is the same as sRGB and Adobe RGB; the red primary color is a monochromatic light source and has a wavelength of 615 nm. DCI-P3 was defined by the Digital Cinema Initiatives (DCI) organization and published by the Society of Motion Picture