La Leocadia

La Leocadia (Spanish: Doña Leocadia) or The Seductress (Spanish: Una Manola) are names given to a mural by the Spanish artist Francisco Goya (1746–1828), completed sometime between 1819–23, as one of his series of 14 "Black Paintings". It shows a woman commonly identified as Goya's maid, companion and, most likely lover, Leocadia Weiss. She is dressed in a dark, almost funeral maja dress, and leans against what is either a mantelpiece or burial mound, as she looks outward at the viewer with a sorrowful expression. Leocadia is one of the final of the "Black Paintings", which he painted in his seventies at a time when he was consumed by political, physical and psychological turmoil, after he fled to the country from his position as court painter in Madrid.

La Leocadia

La Leocadia (Spanish: Doña Leocadia) or The Seductress (Spanish: Una Manola) are names given to a mural by the Spanish artist Francisco Goya (1746–1828), completed sometime between 1819–23, as one of his series of 14 "Black Paintings". It shows a woman commonly identified as Goya's maid, companion and, most likely lover, Leocadia Weiss. She is dressed in a dark, almost funeral maja dress, and leans against what is either a mantelpiece or burial mound, as she looks outward at the viewer with a sorrowful expression. Leocadia is one of the final of the "Black Paintings", which he painted in his seventies at a time when he was consumed by political, physical and psychological turmoil, after he fled to the country from his position as court painter in Madrid.