Thousand Knives
Thousand Knives (千のナイフ Sen no Naifu) (also known as Thousand Knives of Ryuichi Sakamoto) is Ryuichi Sakamoto's first solo album. The album is named after Henri Michaux's description of the feel of using mescaline in Misérable Miracle. It was recorded in about 500 hours, and Sakamoto would spend whole days without sleeping working on it.
Thousand Knives
Thousand Knives (千のナイフ Sen no Naifu) (also known as Thousand Knives of Ryuichi Sakamoto) is Ryuichi Sakamoto's first solo album. The album is named after Henri Michaux's description of the feel of using mescaline in Misérable Miracle. It was recorded in about 500 hours, and Sakamoto would spend whole days without sleeping working on it.
runtime (m)
has abstract
Thousand Knives (千のナイフ Sen no ...... ithout sleeping working on it.
@en
千のナイフ（せんのナイフ、Thousand Knives）と ...... 体験を記述した書物『みじめな奇蹟』の冒頭の一節からとられた。
@ja
performer
producer
record date
1978-07-27
record label
release date
1978-10-25
runtime (s)
subsequent work
Wikipage page ID
42,253,378
Wikipage revision ID
741,554,637
all writing
Chronology
Ryuichi Sakamoto
Length
note
Shin Nihon Denshiteki Min'yō, lit. "The New Japanese Electronic Folk Song"
rev
studio
Columbia Studios 1, 2 & 4, Tokyo
This album
Thousand Knives
title
Das Neue Japanische Elektronische Volkslied
Island of Woods
Plastic Bamboo
The End of Asia
Thousand Knives
hypernym
comment
Thousand Knives (千のナイフ Sen no ...... ithout sleeping working on it.
@en
千のナイフ（せんのナイフ、Thousand Knives）と ...... 体験を記述した書物『みじめな奇蹟』の冒頭の一節からとられた。
@ja
label
Thousand Knives
@en
千のナイフ
@ja
wasDerivedFrom
isPrimaryTopicOf
name
Thousand Knives
@en