Ach Gott, wie manches Herzeleid, BWV 58
Ach Gott, wie manches Herzeleid (Ah God, how much heartbreak), BWV 58, is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata in Leipzig for the Sunday after New Year's Day. The text has been attributed to Christoph Birkmann by Christine Blanken of the Bach-Archiv Leipzig. He combined the topics of the readings, the gospel of the Flight into Egypt and teaching about the suffering of Christians from the First Epistle of Peter, in a structure of unusual symmetry with a duet as the first and last of the five movements. Both duets are dialogues of the Soul, represented by a soprano, and Jesus, sung by a bass as the vox Christi (voice of Christ). Both duets are set as a chorale fantasia, combining a stanza from a hymn, sung by the soprano as the cantus firmus, with origi
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1727 in musicAch Gott, wie manches HerzeleidAch Gott, wie manches Herzeleid (II)BWV 58Bach-Werke-VerzeichnisBach cantataCarolyn SampsonChorale cantata (Bach)Chorale cantata cycleChristmas OratorioChurch cantataChurch cantata (Bach)Church cantatas of Bach's third to fifth year in LeipzigEhre sei dir, Gott, gesungen, BWV 248 VHana BlažíkováKarl RistenpartLate church cantatas by Johann Sebastian BachList of Bach cantatasMartin BehmSchau, lieber Gott, wie meine Feind, BWV 153
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Ach Gott, wie manches Herzeleid, BWV 58
Ach Gott, wie manches Herzeleid (Ah God, how much heartbreak), BWV 58, is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata in Leipzig for the Sunday after New Year's Day. The text has been attributed to Christoph Birkmann by Christine Blanken of the Bach-Archiv Leipzig. He combined the topics of the readings, the gospel of the Flight into Egypt and teaching about the suffering of Christians from the First Epistle of Peter, in a structure of unusual symmetry with a duet as the first and last of the five movements. Both duets are dialogues of the Soul, represented by a soprano, and Jesus, sung by a bass as the vox Christi (voice of Christ). Both duets are set as a chorale fantasia, combining a stanza from a hymn, sung by the soprano as the cantus firmus, with origi
has abstract
Ach Gott, wie manches Herzelei ...... t performed on 5 January 1727.
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Ach Gott, wie manches Herzelei ...... ch composée à Leipzig en 1726.
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Ach Gott, wie manches Herzelei ...... ate van Johann Sebastian Bach.
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Ach Gott, wie manches Herzelei ...... für den Sonntag nach Neujahr.
@de
Ach Gott, wie manches Herzelei ...... tata di Johann Sebastian Bach.
@it
Ach Gott, wie manches Herzelei ...... nte el 5 de enero de 1727.
@es
Ach Gott, wie manches Herzelei ...... eipzig, el 5 de gener de 1727.
@ca
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book
Matthew
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chorale
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m1
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[[#1
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[[#5
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Sunday after New Year's Day
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–19
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–23
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yes
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Bible
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Behm + anon.
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Moller + anon.
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King James
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Ach Gott, wie manches Herzelei ...... the cantus firmus, with origi
@en
Ach Gott, wie manches Herzelei ...... ch composée à Leipzig en 1726.
@fr
Ach Gott, wie manches Herzelei ...... ate van Johann Sebastian Bach.
@nl
Ach Gott, wie manches Herzelei ...... für den Sonntag nach Neujahr.
@de
Ach Gott, wie manches Herzelei ...... tata di Johann Sebastian Bach.
@it
Ach Gott, wie manches Herzelei ...... nte el 5 de enero de 1727.
@es
Ach Gott, wie manches Herzelei ...... eipzig, el 5 de gener de 1727.
@ca
label
Ach Gott, wie manches Herzeleid (BWV 58)
@fr
Ach Gott, wie manches Herzeleid (BWV 58)
@nl
Ach Gott, wie manches Herzeleid BWV 58
@it
Ach Gott, wie manches Herzeleid, BWV 58
@ca
Ach Gott, wie manches Herzeleid, BWV 58
@de
Ach Gott, wie manches Herzeleid, BWV 58
@en
Ach Gott, wie manches Herzeleid, BWV 58
@es