Clarinda (poet)

Clarinda was the pen name used by an anonymous Peruvian poet, generally assumed to be a woman, who wrote in the early 17th Century. The only work attributed to her is the long poem Discourse in Praise of Poetry (Discurso en loor de la poesía), which was printed in Seville in 1608. She is one of very few female, Spanish-speaking colonial-period poets whose work has not been lost. Thus, she is often read in partnership with Mexico's Sor Juana Inés de la Cruz and fellow Peruvian "Amarilis", whose identity is also uncertain.

Clarinda (poet)

Clarinda was the pen name used by an anonymous Peruvian poet, generally assumed to be a woman, who wrote in the early 17th Century. The only work attributed to her is the long poem Discourse in Praise of Poetry (Discurso en loor de la poesía), which was printed in Seville in 1608. She is one of very few female, Spanish-speaking colonial-period poets whose work has not been lost. Thus, she is often read in partnership with Mexico's Sor Juana Inés de la Cruz and fellow Peruvian "Amarilis", whose identity is also uncertain.