Meta Vaux Warrick Fuller

Meta Vaux Warrick Fuller (/miːtə ˈvaʊ/ MEE-tə VOW ; born Meta Vaux Warrick; June 9, 1877 – March 18, 1968) was an African-American artist notable for celebrating Afrocentric themes. At the fore of the Harlem Renaissance, Warrick was known for being a poet, painter, theater designer, and sculptor of the black American experience. At the turn of the 20th century, she had achieved a reputation as a well-known sculptor in Paris, before returning to the United States. Warrick was a protégée of Auguste Rodin, and has been described as "one of the most imaginative Black artists of her generation." Through adopting a horror-based figural style and choosing to depict events of racial injustice, like the lynching of Mary Turner, Warrick used her platform to address the societal traumas of African Am

Meta Vaux Warrick Fuller

Meta Vaux Warrick Fuller (/miːtə ˈvaʊ/ MEE-tə VOW ; born Meta Vaux Warrick; June 9, 1877 – March 18, 1968) was an African-American artist notable for celebrating Afrocentric themes. At the fore of the Harlem Renaissance, Warrick was known for being a poet, painter, theater designer, and sculptor of the black American experience. At the turn of the 20th century, she had achieved a reputation as a well-known sculptor in Paris, before returning to the United States. Warrick was a protégée of Auguste Rodin, and has been described as "one of the most imaginative Black artists of her generation." Through adopting a horror-based figural style and choosing to depict events of racial injustice, like the lynching of Mary Turner, Warrick used her platform to address the societal traumas of African Am