Mikrophonie (Stockhausen)
Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which "normally inaudible vibrations ... are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible".
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Mikrophonie (Stockhausen)
Mikrophonie is the title given by Karlheinz Stockhausen to two of his compositions, written in 1964 and 1965, in which "normally inaudible vibrations ... are made audible by an active process of sound detection (comparable to the auscultation of a body by a physician); the microphone is used actively as a musical instrument, in contrast to its former passive function of reproducing sounds as faithfully as possible".
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Mikrophonie est le titre donné ...... ssi fidèlement que possible »
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Mikrophonie is the title given ...... al, chamber, and vocal forces.
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reference
Burns, Christopher. 2002. "Rea ...... ic Research 31, no. 1 : 59–68.
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Davies, Hugh. 1968. "Working with Stockhausen." The Composer no. 27:8–11.
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Frisius, Rudolf. 2008. Karlhei ...... Schott Musik International. .
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Kurtz, Michael. 1992. Stockhau ...... Boston: Faber and Faber. .
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Maconie, Robin. 1972. "Stockha ...... New Music 10, no. 2 : 92–101.
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Peters, Günter. 1992. "Meditat ...... usen-Stiftung für Musik, 2003.
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Stockhausen, Karlheinz. 1971a. ...... e: Verlag M. DuMont Schauberg.
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Stockhausen, Karlheinz. 1989. ...... New York: Marion Boyars. ; .
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Stockhausen, Karlheinz. 1996. ...... New Music 34, no. 1 : 74–105.
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Mikrophonie est le titre donné ...... ssi fidèlement que possible »
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Mikrophonie is the title given ...... ds as faithfully as possible".
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Mikrophonie (Stockhausen)
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Mikrophonie
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