The Last Day of Pompeii
The Last Day of Pompeii is a large history painting by Karl Bryullov produced in 1830–1833 on the subject of the eruption of Mount Vesuvius in AD 79. It is notable for its positioning between Neoclassicism, the predominant style in Russia at the time, and Romanticism as increasingly practised in France. The painting was received to near universal acclaim and made Bryullov the first Russian painter to have an international reputation. In Russia it was seen as proving that Russian art was as good as art practised in the rest of Europe. It inspired Edward Bulwer-Lytton's world famous novel The Last Days of Pompeii. Critics in France and Russia both noted, however, that the perfection of the classically modelled bodies seemed to be out of keeping with their desperate plight and the overall the
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1790s in archaeology1833 in artAnatoly Demidov, 1st Prince of San DonatoArabesques (short story collection)Collections of the Russian MuseumEdward_Bulwer-LyttonHistory paintingIvan AivazovskyKarl BryullovL'ultimo giorno di PompeiLast Day of PompeiiList of Russian peopleMythology of CarnivàleNeo-GrecPompeii in popular cultureRomanticismRussiaThe Destruction of Pompeii and HerculaneumThe Last Days of PompeiiThe Last Days of Pompeii (disambiguation)Yuliya Samoylova
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The Last Day of Pompeii
The Last Day of Pompeii is a large history painting by Karl Bryullov produced in 1830–1833 on the subject of the eruption of Mount Vesuvius in AD 79. It is notable for its positioning between Neoclassicism, the predominant style in Russia at the time, and Romanticism as increasingly practised in France. The painting was received to near universal acclaim and made Bryullov the first Russian painter to have an international reputation. In Russia it was seen as proving that Russian art was as good as art practised in the rest of Europe. It inspired Edward Bulwer-Lytton's world famous novel The Last Days of Pompeii. Critics in France and Russia both noted, however, that the perfection of the classically modelled bodies seemed to be out of keeping with their desperate plight and the overall the
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Der letzte Tag von Pompeji ist ...... omantik französischer Prägung.
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El último día de Pompeya (1830 ...... evolución del arte en Rusia.
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Le Dernier Jour de Pompéi (183 ...... 'évolution de l'art en Russie.
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The Last Day of Pompeii is a l ...... re to destroy man's creations.
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«Останній день Помпеї» (рос. « ...... рискорило еволюцію мистецтва».
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«Последний день Помпе́и» — кру ...... скорившим эволюцию искусства».
@ru
اليوم الأخير في بومبي (بالروسي ...... ي يُمارس في بقية أنحاء أوروبا.
@ar
『ポンペイ最後の日』(ポンペイさいごのひ、露: Последний день Помпеи)は、ロシアの画家カール・ブリューロフにより1833年に描かれた絵画である。
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폼페이 최후의 날(러시아어: Последний день ...... 리턴의 1834년 동명의 소설은 크게 인기를 끌었다.
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981,283,856
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Oil on canvas
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The Last Day of Pompeii
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Der letzte Tag von Pompeji ist ...... omantik französischer Prägung.
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El último día de Pompeya (1830 ...... a Erupción del Vesubio en 79.
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Le Dernier Jour de Pompéi (183 ...... du Vésuve en 79 de notre ère.
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The Last Day of Pompeii is a l ...... ate plight and the overall the
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«Останній день Помпеї» (рос. « ...... е відбулось 24 серпня 79 року.
@uk
«Последний день Помпе́и» — кру ...... произошло в 79 году нашей эры.
@ru
اليوم الأخير في بومبي (بالروسي ...... ي يُمارس في بقية أنحاء أوروبا.
@ar
『ポンペイ最後の日』(ポンペイさいごのひ、露: Последний день Помпеи)は、ロシアの画家カール・ブリューロフにより1833年に描かれた絵画である。
@ja
폼페이 최후의 날(러시아어: Последний день ...... 리턴의 1834년 동명의 소설은 크게 인기를 끌었다.
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Der letzte Tag von Pompeji (Gemälde)
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El último día de Pompeya (Karl Briulov)
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Gli ultimi giorni di Pompei (dipinto)
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Le Dernier Jour de Pompéi (Brioullov)
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The Last Day of Pompeii
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Останній день Помпеї
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Последний день Помпеи
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اليوم الأخير في بومبي
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ポンペイ最後の日 (ブリューロフの絵画)
@ja
폼페이 최후의 날 (카를 브률로프)
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The Last Day of Pompeii
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