Creative participation

Creative Participation is a term used in social sciences to describe the position of the observer towards the observed. Creative Participation - originally a Lucien Lévy-Bruhl term from the 1920s for analysing social relations of cultural groupings, modified and revived by the German ethnologist V. Dahlheimer- rewrites the traditional participant observation approach and leaves more room for non-materialistic cognition. Dynamic movements which can not be measured from disconnected or relative viewpoints can be captured by means of feelings. Verification of data through creative participation is possible through practical conception only and can at best be validated by empirical means. Creative Participation seeks to counteract classical problems in social science like i.e. rigid defense of

Creative participation

Creative Participation is a term used in social sciences to describe the position of the observer towards the observed. Creative Participation - originally a Lucien Lévy-Bruhl term from the 1920s for analysing social relations of cultural groupings, modified and revived by the German ethnologist V. Dahlheimer- rewrites the traditional participant observation approach and leaves more room for non-materialistic cognition. Dynamic movements which can not be measured from disconnected or relative viewpoints can be captured by means of feelings. Verification of data through creative participation is possible through practical conception only and can at best be validated by empirical means. Creative Participation seeks to counteract classical problems in social science like i.e. rigid defense of