Common practice period
In the history of European art music, the common practice period is the era of the tonal system. Though it has no exact dates, most features of the common-practice period persisted from the mid- to late baroque period, through the Classical, Romantic and Impressionist periods, from around 1650 to 1900. The period saw considerable stylistic evolution, with some patterns and conventions flourishing and then declining, for example the sonata form. Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature throughout the period is a harmonic language to which modern music theorists can apply Roman numeral chord analysis.
'50s progression20th-century classical musicAlexander ScriabinAnnibale PadovanoArminda SchutteAtonalityAugmented fifthAugmented sixth chordAxis systemBaroque musicBerklee methodCadenceChord (music)Chord progressionChromaticismClassical musicClassical repertoireClassical repertoryClassical repetoireCommon-practice periodCommon practiceCommon practice (music)Common practice harmonyCommon practice tonalityConsecutive fifthsConsonance and dissonanceContractCounterpointCulture of EuropeDanel QuartetDensity 21.5Diatonic and chromaticDiatonic scaleDiminished thirdDiminished triadDominant (music)Dominant seventh chordDrei Klavierstücke (Schoenberg)Drone (music)
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Common practice period
In the history of European art music, the common practice period is the era of the tonal system. Though it has no exact dates, most features of the common-practice period persisted from the mid- to late baroque period, through the Classical, Romantic and Impressionist periods, from around 1650 to 1900. The period saw considerable stylistic evolution, with some patterns and conventions flourishing and then declining, for example the sonata form. Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature throughout the period is a harmonic language to which modern music theorists can apply Roman numeral chord analysis.
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In the history of European art ...... Roman numeral chord analysis.
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Kliewer, Vernon . "Melody: Lin ...... , New Jersey: Prentice-Hall. .
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London, Justin . "Rhythm, §II: ...... London: Macmillan Publishers.
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Tanner, Paul, and Maurice Gero ...... he Blues". TheBlueHighway.com.
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Winold, Allen . "Rhythm in Twe ...... Prentice-Hall. . pp. 208-269.
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In the history of European art ...... Roman numeral chord analysis.
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Common practice period
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