Konstantin Konstantinovich Saradzhev

Konstantin Konstantinovich Saradzhev (Russian: Константи́н Константи́нович Сара́джев) (1900–1942) was a Russian bell ringer, composer, and musical theorist. The son of the conductor and violinist Konstantin Saradzhev, K.K. ("Kotik") Saradzhev was strongly affected by hearing a powerful church bell at the age of seven and became a musician specializing in bells (though he also played the piano). He was known for "his superhuman aural acuity: between two adjacent whole tones, he perceived not just one half tone but a half tone flanked on either side by a hundred and twenty-one flats and a hundred and twenty-one sharps" and "could distinguish all four thousand of Moscow's church bells" by their unique frequencies. He composed "bell symphonies" making use of the microtonal complexities of Russ

Konstantin Konstantinovich Saradzhev

Konstantin Konstantinovich Saradzhev (Russian: Константи́н Константи́нович Сара́джев) (1900–1942) was a Russian bell ringer, composer, and musical theorist. The son of the conductor and violinist Konstantin Saradzhev, K.K. ("Kotik") Saradzhev was strongly affected by hearing a powerful church bell at the age of seven and became a musician specializing in bells (though he also played the piano). He was known for "his superhuman aural acuity: between two adjacent whole tones, he perceived not just one half tone but a half tone flanked on either side by a hundred and twenty-one flats and a hundred and twenty-one sharps" and "could distinguish all four thousand of Moscow's church bells" by their unique frequencies. He composed "bell symphonies" making use of the microtonal complexities of Russ