María de Buenos Aires
María de Buenos Aires is a tango opera (tango operita) with music by Ástor Piazzolla and libretto by Horacio Ferrer that premiered at the Sala Planeta in Buenos Aires on 8 May 1968. The first part of the surreal plot centers on the experiences of a prostitute in Buenos Aires, Argentina; the second part takes place after her death. The characters include María (and, after her death, the Shadow of María), a singer of payadas; various members of the Buenos Aires underworld; a payador who functions as a poet and narrator ; a goblin-like duende; several marionettes under the control of the duende; a circus of psychoanalysts; pasta makers; and construction workers. Many elements of the libretto suggest parallels between María and Mary, the mother of Jesus (in Spanish, María) or Jesus himself.
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11th Helpmann Awards1968 in musicAlexia PaganiniAlmendra (Almendra album)Amelita BaltarAmy LinAndrew PojeAnthony PonomarenkoAntonio AgriArgentine tangoAstor PiazzollaBolero ProjectChristina CarreiraCincinnati OperaDance Hub SADevid NaryzhnyyElizaveta ShanaevaFugata QuintetGabrielle DalemanGotham Chamber OperaHelpmann Award for Best OperaHoracio FerrerJuan Carlos CopesKaitlyn WeaverKatja CzellnikKicho DíazKristen SpoursLeonid DesyatnikovList of Argentine operasList of operas by composerList of operas by titleLorraine VélezMaria Sergeeva (gymnast)Maria TitovaMaria de Buenos AiresMark BallasMill City Summer OperaMilvaMiskolc Opera FestivalNathan Granner
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María de Buenos Aires
María de Buenos Aires is a tango opera (tango operita) with music by Ástor Piazzolla and libretto by Horacio Ferrer that premiered at the Sala Planeta in Buenos Aires on 8 May 1968. The first part of the surreal plot centers on the experiences of a prostitute in Buenos Aires, Argentina; the second part takes place after her death. The characters include María (and, after her death, the Shadow of María), a singer of payadas; various members of the Buenos Aires underworld; a payador who functions as a poet and narrator ; a goblin-like duende; several marionettes under the control of the duende; a circus of psychoanalysts; pasta makers; and construction workers. Many elements of the libretto suggest parallels between María and Mary, the mother of Jesus (in Spanish, María) or Jesus himself.
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Maria de Buenos Aires è un'ope ...... o stesso Piazzolla ed uno di .
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María de Buenos Aires es un es ...... la música de Astor Piazzolla.
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María de Buenos Aires est un o ...... anseurs. [citation nécessaire]
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María de Buenos Aires is a tan ...... own and one by Pablo Ziegler.
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María de Buenos Aires ist eine ...... ) und Horacio Ferrer (Duende).
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María de Buenos Aires é um esp ...... ara o qual Piazzolla é famoso.
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María de Buenos Aires és un es ...... i la música d'Astor Piazzolla.
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1,022,929,704
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composer
language
Spanish
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librettist
name
María de Buenos Aires
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premiere date
1968-05-08
premiere location
Sala Planeta, Buenos Aires
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rules
yes
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type
wikiPageUsesTemplate
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Maria de Buenos Aires è un'ope ...... a si svolge dopo la sua morte.
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María de Buenos Aires es un es ...... la música de Astor Piazzolla.
@es
María de Buenos Aires est un o ...... anseurs. [citation nécessaire]
@fr
María de Buenos Aires is a tan ...... nish, María) or Jesus himself.
@en
María de Buenos Aires ist eine ...... ) und Horacio Ferrer (Duende).
@de
María de Buenos Aires é um esp ...... ara o qual Piazzolla é famoso.
@pt
María de Buenos Aires és un es ...... i la música d'Astor Piazzolla.
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label
María de Buenos Aires
@ca
María de Buenos Aires
@de
María de Buenos Aires
@en
María de Buenos Aires
@es
María de Buenos Aires
@fr
María de Buenos Aires
@it
María de Buenos Aires
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