María de Buenos Aires

María de Buenos Aires is a tango opera (tango operita) with music by Ástor Piazzolla and libretto by Horacio Ferrer that premiered at the Sala Planeta in Buenos Aires on 8 May 1968. The first part of the surreal plot centers on the experiences of a prostitute in Buenos Aires, Argentina; the second part takes place after her death. The characters include María (and, after her death, the Shadow of María), a singer of payadas; various members of the Buenos Aires underworld; a payador who functions as a poet and narrator ; a goblin-like duende; several marionettes under the control of the duende; a circus of psychoanalysts; pasta makers; and construction workers. Many elements of the libretto suggest parallels between María and Mary, the mother of Jesus (in Spanish, María) or Jesus himself.

María de Buenos Aires

María de Buenos Aires is a tango opera (tango operita) with music by Ástor Piazzolla and libretto by Horacio Ferrer that premiered at the Sala Planeta in Buenos Aires on 8 May 1968. The first part of the surreal plot centers on the experiences of a prostitute in Buenos Aires, Argentina; the second part takes place after her death. The characters include María (and, after her death, the Shadow of María), a singer of payadas; various members of the Buenos Aires underworld; a payador who functions as a poet and narrator ; a goblin-like duende; several marionettes under the control of the duende; a circus of psychoanalysts; pasta makers; and construction workers. Many elements of the libretto suggest parallels between María and Mary, the mother of Jesus (in Spanish, María) or Jesus himself.