Neo-Baroque film is a type of film theory that (while the term "neo-baroque" is borrowed from the writings of semiologist Umberto Eco and philosopher Gilles Deleuze) used in film studies to describe certain films, television shows and Hollywood blockbusters characterised by the excessively ornate, carnivalesque fragmentation of the film frame and/or narrative, sometimes to the point of spatial and/or narrative incoherence.