Diversity and commonality in music performance: an analysis of timing microstructure in Schumann's "Träumerei".
about
Note onset deviations as musical piece signaturesSyncopation, body-movement and pleasure in groove musicDetecting deviations from metronomic timing in music: effects of perceptual structure on the mental timekeeper.Control of Expressive and Metronomic Timing in Pianists.Individuality in harpsichord performance: disentangling performer- and piece-specific influences on interpretive choices.Perceiving individuality in harpsichord performance.Individuality in music performance: introduction to the research topic.Why live recording sounds better: a case study of Schumann's TräumereiRelations between affective music and speech: evidence from dynamics of affective piano performance and speech production.Why would Musical Training Benefit the Neural Encoding of Speech? The OPERA Hypothesis.Fingers Phrase Music Differently: Trial-to-Trial Variability in Piano Scale Playing and Auditory Perception Reveal Motor Chunking.Tempo discrimination of musical patterns: effects due to pitch and rhythmic structure.Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles.The influence of vocal training and acting experience on measures of voice quality and emotional genuinenessInvestigating pianists' individuality in the performance of five timbral nuances through patterns of articulation, touch, dynamics, and pedalingEmotional Coloring of Computer-Controlled Music PerformancesToward a Computational Model of Expression in Music Performance: The GERM ModelAuditory isochrony: time shrinking and temporal patterns.Rhythmic Density Affects Listeners' Emotional Response to Microtiming.Influence of melodic emphasis, texture, salience, and performer individuality on performance errorsArticulation and Dynamics Influence the Perceptual Attack Time of Saxophone SoundsAutomatic Performer Identification in Celtic Violin Audio RecordingsExpressive Concatenative Synthesis by Reusing Samples from Real Performance RecordingsA Genetic Rule-Based Model of Expressive Performance for Jazz SaxophoneDiscovering expressive transformation rules from saxophone jazz performancesThe Final Ritard: On Music, Motion, and Kinematic ModelsCaRo 2.0: An Interactive System for Expressive Music RenderingPianism: Performance Communication and the Playing TechniqueShifting the focus of attention between levels of musical structure
P2860
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P2860
Diversity and commonality in music performance: an analysis of timing microstructure in Schumann's "Träumerei".
description
1992 nî lūn-bûn
@nan
1992 թուականի Նոյեմբերին հրատարակուած գիտական յօդուած
@hyw
1992 թվականի նոյեմբերին հրատարակված գիտական հոդված
@hy
1992年の論文
@ja
1992年論文
@yue
1992年論文
@zh-hant
1992年論文
@zh-hk
1992年論文
@zh-mo
1992年論文
@zh-tw
1992年论文
@wuu
name
Diversity and commonality in m ...... ure in Schumann's "Träumerei".
@ast
Diversity and commonality in m ...... ure in Schumann's "Träumerei".
@en
type
label
Diversity and commonality in m ...... ure in Schumann's "Träumerei".
@ast
Diversity and commonality in m ...... ure in Schumann's "Träumerei".
@en
prefLabel
Diversity and commonality in m ...... ure in Schumann's "Träumerei".
@ast
Diversity and commonality in m ...... ure in Schumann's "Träumerei".
@en
P356
P1476
Diversity and commonality in m ...... ure in Schumann's "Träumerei".
@en
P2093
P304
P356
10.1121/1.404425
P577
1992-11-01T00:00:00Z