Speaking to the trained ear: musical expertise enhances the recognition of emotions in speech prosody.
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Human emotions track changes in the acoustic environment.Prosodic Structure as a Parallel to Musical StructureDo older professional musicians have cognitive advantages?The "Musical Emotional Bursts": a validated set of musical affect bursts to investigate auditory affective processingMusic and speech prosody: a common rhythmGetting into the musical zone: trait emotional intelligence and amount of practice predict flow in pianists.How musical training affects cognitive development: rhythm, reward and other modulating variables.Fear across the senses: brain responses to music, vocalizations and facial expressionsMusical chords and emotion: major and minor triads are processed for emotion.Music training and empathy positively impact adults' sensitivity to infant distress.Impaired socio-emotional processing in a developmental music disorderMusic training and speech perception: a gene-environment interaction.Neuroplasticity beyond Sounds: Neural Adaptations Following Long-Term Musical Aesthetic ExperiencesLanguage and music: sound, structure, and meaning.Cochlear implant users rely on tempo rather than on pitch information during perception of musical emotion.Using music to study the evolution of cognitive mechanisms relevant to language.Post-stroke acquired amusia: A comparison between right- and left-brain hemispheric damages.Fast Brain Plasticity during Word Learning in Musically-Trained Children.Musical training, individual differences and the cocktail party problemSadness is unique: neural processing of emotions in speech prosody in musicians and non-musicians.Music and early language acquisition.Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesisAssessing musical abilities objectively: construction and validation of the profile of music perception skillsPerception of emotionally loaded vocal expressions and its connection to responses to music. A cross-cultural investigation: Estonia, Finland, Sweden, Russia, and the USAInterpreting infant vocal distress: the ameliorative effect of musical training in depressionThe OPERA hypothesis: assumptions and clarifications.Compensating for age limits through emotional crossmodal integrationMinho Affective Sentences (MAS): Probing the roles of sex, mood, and empathy in affective ratings of verbal stimuli.I can feel my heartbeat: Dancers have increased interoceptive accuracy.Increased functional connectivity in the ventral and dorsal streams during retrieval of novel words in professional musicians.Short Scales for the Assessment of Personality Traits: Development and Validation of the Portuguese Ten-Item Personality Inventory (TIPI).Hearing, Emotion, Amplification, Research, and Training Workshop: Current Understanding of Hearing Loss and Emotion Perception and Priorities for Future ResearchDo Individual Differences Influence Moment-by-Moment Reports of Emotion Perceived in Music and Speech Prosody?
P2860
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P2860
Speaking to the trained ear: musical expertise enhances the recognition of emotions in speech prosody.
description
2011 nî lūn-bûn
@nan
2011 թուականի Հոկտեմբերին հրատարակուած գիտական յօդուած
@hyw
2011 թվականի հոտեմբերին հրատարակված գիտական հոդված
@hy
2011年の論文
@ja
2011年論文
@yue
2011年論文
@zh-hant
2011年論文
@zh-hk
2011年論文
@zh-mo
2011年論文
@zh-tw
2011年论文
@wuu
name
Speaking to the trained ear: m ...... of emotions in speech prosody.
@ast
Speaking to the trained ear: m ...... of emotions in speech prosody.
@en
type
label
Speaking to the trained ear: m ...... of emotions in speech prosody.
@ast
Speaking to the trained ear: m ...... of emotions in speech prosody.
@en
prefLabel
Speaking to the trained ear: m ...... of emotions in speech prosody.
@ast
Speaking to the trained ear: m ...... of emotions in speech prosody.
@en
P356
P1433
P1476
Speaking to the trained ear: m ...... of emotions in speech prosody
@en
P2093
César F Lima
São Luís Castro
P304
P356
10.1037/A0024521
P577
2011-10-01T00:00:00Z