What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
about
Auditory recognition of familiar and unfamiliar subjects with wind turbine noise.What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics.Toward a Nonspeech Test of Auditory Cognition: Semantic Context Effects in Environmental Sound Identification in Adults of Varying Age and Hearing Abilities.Interactive Sonification of Spontaneous Movement of Children-Cross-Modal Mapping and the Perception of Body Movement Qualities through SoundMusic as environment: an ecological and biosemiotic approachConceptual processing in music as revealed by N400 effects on words and musical targets.The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cues.(Dis-)Harmony in movement: effects of musical dissonance on movement timing and form.Perception of everyday sounds: a developmental study of a free sorting task.Tinnitus what and where: an ecological framework.Categorization of natural dynamic audiovisual scenes.A systematic review of mapping strategies for the sonification of physical quantities.The influence of environmental sound training on the perception of spectrally degraded speech and environmental sounds.Exploration and evaluation of a system for interactive sonification of elite rowingHigh-level control of sound synthesis for sonification processesTransposing musical skill: sonification of movement as concurrent augmented feedback enhances learning in a bimanual taskImaginal Listening: a quaternary framework for listening to electroacoustic music and phenomena of sound-imagesThe Role of Sound Source Perception in Gestural Sound DescriptionMapping Through ListeningWord Identification in Noise.When Ears Drive Hands: The Influence of Contact Sound on Reaching to GraspClosing the loop of sonification and electroacoustic music practices through gesture and embodied interactionSimilarity and categorization of environmental sounds.Visual influences on perception of speech and nonspeech vocal-tract events.Correlation versus causation in multisensory perception.Perception of Animacy from the Motion of a Single Sound Object.Identifying, rating, and remembering environmental sound events.Interactive footstep sounds modulate the perceptual-motor aftereffect of treadmill walking.Spatial Cues Provided by Sound Improve Postural Stabilization: Evidence of a Spatial Auditory Map?When sound affects vision: effects of auditory grouping on visual motion perception.What determines auditory similarity? The effect of stimulus group and methodology.Sounds perceived as annoying by hearing-aid users in their daily soundscape.Context-Dependent Effect of Reverberation on Material Perception from Impact Sound.Estimating Group Size From Human Speech: Three's a Conversation, but Four's a Crowd.Do we hear size or sound? Balls dropped on plates.Task-Modulated Cortical Representations of Natural Sound Source Categories.Responding to sounds from unseen locations: crossmodal attentional orienting in response to sounds presented from the rear.Name that percussive tune: Associative memory and amplitude envelope.Evidence for a basic level in a taxonomy of everyday action sounds.Exploring the role of the amplitude envelope in duration estimation.
P2860
Q28648403-A691E84C-F4B8-49E6-BE42-476F02FF1D18Q30366263-9ED4016E-1877-47B0-A817-A53724382FC9Q30367957-08F41A44-E09A-4131-9073-7AB3C7D71D1CQ30369208-9DCAF78D-90E0-465F-8061-00F2A7F38813Q30370221-91AC41A3-FFF6-4BE1-A484-B7F842114824Q30372320-7D00B857-232B-4089-A1C9-82F57A287846Q30386982-DCD58CFC-6BE7-4C8A-B457-7341C454E879Q30415949-3601210A-6606-43AE-8767-330DAB8E8131Q30418881-77BC0119-A533-4006-86A3-2A2BA90252B7Q30421307-5B237A72-1235-4EEC-9B25-578E84B966A2Q30438717-76AE4B72-ABD6-48A7-B974-E84ABBB674D4Q30445621-B9C75C73-0FF4-49E5-8406-AB0580A33AC1Q30455400-A0CC38BC-06E8-4841-BB90-C185D1E7DF28Q30458521-269D5B52-0689-442C-9158-4A1D36801384Q30459289-79686957-8F4E-414B-B12D-768F1DE06451Q30460451-BF03F337-1E80-49A2-B5B9-E35CE6C275AAQ30463390-C712F24E-AD8D-4426-94C4-FDEE80F99061Q30473874-B1EF3B5A-3BD4-45EB-B623-B5C4A0EB926EQ30474209-D8466A37-F411-4669-9200-E4D98FA019EDQ30475143-0F670890-180B-40D7-AFAE-A305C28A8A8EQ30476635-556A309E-E626-4222-BA0D-197419A5FA70Q30477188-9C6273CA-BEEA-4AC0-8126-34C8CEEBAFEBQ30477256-38C8C462-0F0F-4157-AFAC-CBFE8238081EQ30485469-D94AFD9B-74BA-4183-B7A8-1B1EF5E8690EQ30549662-7F9DD530-922E-4D2A-B07A-E0897C09266EQ30570189-9B078E14-2B10-44BF-82A8-43B2573E8735Q33303727-64E4DF52-57DB-45F5-A4D9-D2CB0F4EC70FQ39128771-B5FD4003-735A-42AA-B6A5-9F7F918F1EA8Q41050243-2198AE69-1FAF-4999-B50F-DF9133B5EED9Q45946429-DA85F398-782C-4B5E-8196-85F4F87041DEQ46687715-D146967F-CC31-4FE4-9020-669E73172608Q46891232-33520C9D-A6A5-4957-875E-55DE763A9A77Q47105809-0CA61756-AC31-40BA-B8DE-3DB68637CBFDQ47345404-B9F13B8E-67EC-45CC-97E2-F83C4102009EQ47377484-151094C0-7D5F-4144-8186-3136537097C5Q47410901-5A914CCE-4532-454D-9AFF-26B763797AEFQ47916881-5E370778-D2BE-47C2-9A38-28A610689C30Q48028243-40A4873C-9FFC-4D6C-9FD5-632954D3AD26Q48162067-8810AC35-072B-4C6B-A4E8-4248E29884B2Q50354289-62BBB753-3176-4EF5-838D-2DB7373135A7
P2860
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
description
1993 nî lūn-bûn
@nan
1993 թուականի Մարտին հրատարակուած գիտական յօդուած
@hyw
1993 թվականի մարտին հրատարակված գիտական հոդված
@hy
1993年の論文
@ja
1993年論文
@yue
1993年論文
@zh-hant
1993年論文
@zh-hk
1993年論文
@zh-mo
1993年論文
@zh-tw
1993年论文
@wuu
name
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
@ast
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
@en
type
label
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
@ast
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
@en
prefLabel
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
@ast
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
@en
P2860
P1476
What in the World Do We Hear?: An Ecological Approach to Auditory Event Perception
@en
P2093
William W. Gaver
P2860
P356
10.1207/S15326969ECO0501_1
P577
1993-03-01T00:00:00Z