How Do We Hear in the World? Explorations in Ecological Acoustics
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Seeing Circles and Drawing Ellipses: When Sound Biases Reproduction of Visual Motion.What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics.Music as environment: an ecological and biosemiotic approachPerception of everyday sounds: a developmental study of a free sorting task.Tinnitus what and where: an ecological framework.Early recognition of speech.High-level control of sound synthesis for sonification processesInteractive Sonification for Data Exploration: How listening modes and display purposes define design guidelinesEmbodied Aesthetics in Auditory DisplaySonification and the Mysticism of NegationThe Role of Sound Source Perception in Gestural Sound DescriptionMapping Through ListeningAn Intuitive Synthesizer of Continuous-Interaction Sounds: Rubbing, Scratching, and RollingDesigning for Attention With Sound: Challenges and Extensions to Ecological Interface DesignClosing the loop of sonification and electroacoustic music practices through gesture and embodied interactionSemantic congruency of auditory warnings.Rising tones and rustling noises: Metaphors in gestural depictions of sounds.Interactive footstep sounds modulate the perceptual-motor aftereffect of treadmill walking.PERCEPTUAL ORGANIZATION AND LAWFUL SPECIFICATION.Glyph guessing for 'oo' and 'ee': spatial frequency information in sound symbolic matching for ancient and unfamiliar scripts.Exploring the Multi-Layered Affordances of Composing and Performing Interactive Music with Responsive Technologies.When sound affects vision: effects of auditory grouping on visual motion perception.Context-Dependent Effect of Reverberation on Material Perception from Impact Sound.Do we hear size or sound? Balls dropped on plates.Responding to sounds from unseen locations: crossmodal attentional orienting in response to sounds presented from the rear.Effect of rhythmic auditory cueing on parkinsonian gait: A systematic review and meta-analysis.Exploring the role of the amplitude envelope in duration estimation.Anesthesia alarms in context: an observational study.Audiovisual bounce-inducing effect: when sound congruence affects grouping in vision.The Perceived Affective Expression of Computer-Manipulated Sung SoundsWhen Is Noise Speech? A Survey in Sonic AmbiguityA Conceptual Framework for the Analysis of First-Person Shooter Audio and its Potential Use for Game Engines
P2860
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P2860
How Do We Hear in the World? Explorations in Ecological Acoustics
description
1993 nî lūn-bûn
@nan
1993 թուականի Դեկտեմբերին հրատարակուած գիտական յօդուած
@hyw
1993 թվականի դեկտեմբերին հրատարակված գիտական հոդված
@hy
1993年の論文
@ja
1993年論文
@yue
1993年論文
@zh-hant
1993年論文
@zh-hk
1993年論文
@zh-mo
1993年論文
@zh-tw
1993年论文
@wuu
name
How Do We Hear in the World? Explorations in Ecological Acoustics
@ast
How Do We Hear in the World? Explorations in Ecological Acoustics
@en
type
label
How Do We Hear in the World? Explorations in Ecological Acoustics
@ast
How Do We Hear in the World? Explorations in Ecological Acoustics
@en
prefLabel
How Do We Hear in the World? Explorations in Ecological Acoustics
@ast
How Do We Hear in the World? Explorations in Ecological Acoustics
@en
P2860
P1476
How Do We Hear in the World? Explorations in Ecological Acoustics
@en
P2093
William W. Gaver
P2860
P304
P356
10.1207/S15326969ECO0504_2
P577
1993-12-01T00:00:00Z