Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes.
about
Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric SoundsHearing AIDS and music.Music to electric ears: pitch and timbre perception by cochlear implant patients.Neural and behavioral investigations into timbre perception.Modeling Timbre Similarity of Short Music Clips.Perceptually Salient Regions of the Modulation Power Spectrum for Musical Instrument Identification.Effects of age on melody and timbre perception in simulations of electro-acoustic and cochlear-implant hearing.Examination of spectral timbre cues and musical instrument identification in cochlear implant recipients.Perception and Modeling of Affective Qualities of Musical Instrument Sounds across Pitch Registers.Onset-Duration Matching of Acoustic Stimuli Revisited: Conventional Arithmetic vs. Proposed Geometric Measures of Accuracy and PrecisionWhat Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics.Vocal Imitations of Non-Vocal SoundsTimbre-independent extraction of pitch in newborn infants.Effect of instrument timbre on melodic contour identification by cochlear implant users.Affective priming effects of musical sounds on the processing of word meaning.Psychophysiological responses to auditory change.Auditory color constancy: calibration to reliable spectral properties across nonspeech context and targets.The unity assumption facilitates cross-modal binding of musical, non-speech stimuli: The role of spectral and amplitude envelope cues.Auditory Sketches: Very Sparse Representations of Sounds Are Still RecognizableThe role of expectation and probabilistic learning in auditory boundary perception: a model comparison.Symmetric interactions and interference between pitch and timbre.Auditory working memory for objects vs. features.Regularity of unit length boosts statistical learning in verbal and nonverbal artificial languages.Music in our ears: the biological bases of musical timbre perception.Musicians show general enhancement of complex sound encoding and better inhibition of irrelevant auditory change in music: an ERP study.Musical expertise and the ability to imagine loudnessInvestigating bottom-up auditory attention.What is a melody? On the relationship between pitch and brightness of timbre.Acoustic structure of the five perceptual dimensions of timbre in orchestral instrument tones.Encoding of spectral correlation over time in auditory cortex.Preattentive processing of emotional musical tones: a multidimensional scaling and ERP study.Timbre and speech perception in bimodal and bilateral cochlear-implant listenersMusical experience strengthens the neural representation of sounds important for communication in middle-aged adults.Temporal and spectral cues for musical timbre perception in electric hearingImpaired perception of temporal fine structure and musical timbre in cochlear implant usersRapid efficient coding of correlated complex acoustic propertiesSimilarity and categorization of environmental sounds.Is relative pitch specific to pitch?Neural processing of vocal emotion and identity.Name that tune: identifying popular recordings from brief excerpts.
P2860
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P2860
Perceptual scaling of synthesized musical timbres: common dimensions, specificities, and latent subject classes.
description
1995 nî lūn-bûn
@nan
1995 թուականի Յունուարին հրատարակուած գիտական յօդուած
@hyw
1995 թվականի հունվարին հրատարակված գիտական հոդված
@hy
1995年の論文
@ja
1995年論文
@yue
1995年論文
@zh-hant
1995年論文
@zh-hk
1995年論文
@zh-mo
1995年論文
@zh-tw
1995年论文
@wuu
name
Perceptual scaling of synthesi ...... s, and latent subject classes.
@ast
Perceptual scaling of synthesi ...... s, and latent subject classes.
@en
type
label
Perceptual scaling of synthesi ...... s, and latent subject classes.
@ast
Perceptual scaling of synthesi ...... s, and latent subject classes.
@en
prefLabel
Perceptual scaling of synthesi ...... s, and latent subject classes.
@ast
Perceptual scaling of synthesi ...... s, and latent subject classes.
@en
P2093
P356
P1476
Perceptual scaling of synthesi ...... s, and latent subject classes.
@en
P2093
De Soete G
Donnadieu S
Krimphoff J
Winsberg S
P2888
P304
P356
10.1007/BF00419633
P577
1995-01-01T00:00:00Z
P6179
1016511473