Musicians and non-musicians are equally adept at perceiving masked speech
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Unraveling the Biology of Auditory Learning: A Cognitive-Sensorimotor-Reward FrameworkThe role of rhythm in perceiving speech in noise: a comparison of percussionists, vocalists and non-musiciansWhat Has Replication Ever Done for Us? Insights from Neuroimaging of Speech Perception.Sustained Cortical and Subcortical Measures of Auditory and Visual Plasticity following Short-Term Perceptual Learning.Effect of Simultaneous Bilingualism on Speech Intelligibility across Different Masker Types, Modalities, and Signal-to-Noise Ratios in School-Age Children.Poetry and Neuroscience: : An Interdisciplinary ConversationExecutive Function, Visual Attention and the Cocktail Party Problem in Musicians and Non-Musicians.Getting the Cocktail Party Started: Masking Effects in Speech Perception.Musical competence and phoneme perception in a foreign language.How musical expertise shapes speech perception: evidence from auditory classification imagesMusical training, individual differences and the cocktail party problemInterindividual variability in auditory scene analysis revealed by confidence judgements.Long-term musical experience and auditory and visual perceptual abilities under adverse conditions.Neural Correlates of Early Sound Encoding and their Relationship to Speech-in-Noise Perception.Musicians do not benefit from differences in fundamental frequency when listening to speech in competing speech backgrounds.Increased engagement of the cognitive control network associated with music training in children during an fMRI Stroop task.Similar abilities of musicians and non-musicians to segregate voices by fundamental frequency.The Effects of Musical Training on Speech Detection in the Presence of Informational and Energetic Masking.Musicians have better memory than nonmusicians: A meta-analysis.Auditory and cognitive performance in elderly musicians and nonmusicians.Musical training sharpens and bonds ears and tongue to hear speech better.Distinct processing of ambiguous speech in people with non-clinical auditory verbal hallucinations.Music and Speech Perception in Children Using Sung Speech.Comparison of Two Music Training Approaches on Music and Speech Perception in Cochlear Implant Users.Musical Experience, Sensorineural Auditory Processing, and Reading Subskills in Adults.Musical Competence is Predicted by Music Training, Cognitive Abilities, and Personality.Beatboxers and Guitarists Engage Sensorimotor Regions Selectively When Listening to the Instruments They can Play
P2860
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P2860
Musicians and non-musicians are equally adept at perceiving masked speech
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2015 թվականի հունվարին հրատարակված գիտական հոդված
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2015年の論文
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2015年論文
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2015年論文
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2015年論文
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2015年論文
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2015年论文
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Musicians and non-musicians are equally adept at perceiving masked speech
@ast
Musicians and non-musicians are equally adept at perceiving masked speech
@en
type
label
Musicians and non-musicians are equally adept at perceiving masked speech
@ast
Musicians and non-musicians are equally adept at perceiving masked speech
@en
prefLabel
Musicians and non-musicians are equally adept at perceiving masked speech
@ast
Musicians and non-musicians are equally adept at perceiving masked speech
@en
P2093
P2860
P50
P356
P1476
Musicians and non-musicians are equally adept at perceiving masked speech
@en
P2093
Dana Boebinger
Stuart Rosen
P2860
P304
P356
10.1121/1.4904537
P577
2015-01-01T00:00:00Z