Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
about
Visual speech discrimination and identification of natural and synthetic consonant stimuli.Recognition memory in developmental prosopagnosia: electrophysiological evidence for abnormal routes to face recognition.Insights into the development of face recognition mechanisms revealed by face aftereffects.Ignored faces produce figural face aftereffects.Reduced face aftereffects in autism are not due to poor attention.Selectivity of face distortion aftereffects for differences in expression or genderFIAEs in Famous Faces are Mediated by Type of ProcessingFace distortion aftereffects evoked by featureless first-order stimulus configurationsToward a unified model of face and object recognition in the human visual system.Beyond perceptual expertise: revisiting the neural substrates of expert object recognition.Active and passive contributions to spatial learning.Not just the norm: exemplar-based models also predict face aftereffectsWhat can crossmodal aftereffects reveal about neural representation and dynamics?On the hierarchical inheritance of aftereffects in the visual systemThe Importance of Formalizing Computational Models of Face Adaptation AftereffectsAging faces and aging perceivers: young and older adults are less sensitive to deviations from normality in older than in young adult faces.General holistic impairment in congenital prosopagnosia: evidence from Garner's speeded-classification task.Bidirectional Gender Face Aftereffects: Evidence Against Normative Facial Coding.The Cambridge Car Memory Test: a task matched in format to the Cambridge Face Memory Test, with norms, reliability, sex differences, dissociations from face memory, and expertise effects.Atypical updating of face representations with experience in children with autism.Reduced adaptability, but no fundamental disruption, of norm-based face coding following early visual deprivation from congenital cataracts.Face recognition impairments despite normal holistic processing and face space coding: evidence from a case of developmental prosopagnosia.Effects of normal and abnormal visual experience on the development of opposing aftereffects for upright and inverted faces.Improving face identity perception in age-related macular degeneration via caricaturingAdaptation Aftereffects in the Perception of Crabs and Lobsters as Examples of Complex Natural Objects
P2860
Q30406260-4788ACD2-2146-4F90-9CF2-198828BB94E2Q34043534-F183DCDA-6FDB-430D-A1A5-67E29794E68CQ34223079-08607A15-234C-4BAD-B808-26B6803E47F2Q34430414-B763FF40-C066-4D55-B761-7531707DD1D2Q35060517-D292FEB5-3ECA-4335-84F3-CCC2915E92C7Q35708596-AD41C4A4-95E4-4BB8-BD06-C3251E81E127Q36131574-45BCCBCF-EBE6-4ECD-9836-4E9658818AD0Q36600256-AE39ECD8-EF3B-41C1-B537-EB89098D7BCDQ37096454-8AD0D3C9-F62B-4954-BB9A-8DAC364E0476Q37415537-96B6A9C7-51E2-41F5-A425-B39FEB61A1E6Q37956192-A246BE4B-0F78-4479-B6DD-2EA2D8CAD3D4Q38108267-161CDDAA-1388-485F-BE4E-B9B32D306138Q41785764-46095E39-04C2-4B6E-9762-1ACC49AC21CDQ41827619-280439EC-7E1C-4C6E-AFEF-D081EF5624CBQ42053364-B1D15D87-9B1E-48AB-8DA3-3B9E3E3F6DB7Q44547823-17732FD7-453B-455E-9C52-701CAFF116C3Q44945750-8F52AB9C-EC28-4B61-AFAB-A6DE2EEABC38Q47911534-C5B64C67-42E9-443D-9025-488685ED08F7Q50063272-CB5F5868-367C-4EEE-B8A7-7808E21CC8EFQ50303123-4D33037B-F20C-4D7F-8ACD-D17FEA62FD59Q50537210-E85578E1-1C1A-4C52-A171-40F8176DF90AQ50983638-5270DEE7-B87B-49AC-A878-4E5E3E6E0C11Q51812270-7F058993-9101-4A69-93A8-84F246E27507Q57472745-15E737EA-EAEC-40B0-AD84-A68071C5A1FEQ57817106-FF7F84B7-C0F1-4706-AA65-5C6AC4B02B0C
P2860
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
description
2010 nî lūn-bûn
@nan
2010 թուականի Նոյեմբերին հրատարակուած գիտական յօդուած
@hyw
2010 թվականի նոյեմբերին հրատարակված գիտական հոդված
@hy
2010年の論文
@ja
2010年論文
@yue
2010年論文
@zh-hant
2010年論文
@zh-hk
2010年論文
@zh-mo
2010年論文
@zh-tw
2010年论文
@wuu
name
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
@ast
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
@en
type
label
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
@ast
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
@en
prefLabel
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
@ast
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
@en
P356
P1433
P1476
Solving the upside-down puzzle: Why do upright and inverted face aftereffects look alike?
@en
P2093
Mark Edwards
P356
10.1167/10.13.1
P577
2010-11-01T00:00:00Z