A universal model of esthetic perception based on the sensory coding of natural stimuli.
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Beauty is in the efficient coding of the beholderFrames as visual links between paintings and the museum environment: an analysis of statistical image propertiesArnheim's Gestalt theory of visual balance: Examining the compositional structure of art photographs and abstract images1/f 2 Characteristics and isotropy in the fourier power spectra of visual art, cartoons, comics, mangas, and different categories of photographsGlobal Sensory Qualities and Aesthetic Experience in Music.Discriminative and reinforcing properties of paintings in Java sparrows (Padda oryzivora).Using CNN Features to Better Understand What Makes Visual Artworks Special.Combining universal beauty and cultural context in a unifying model of visual aesthetic experienceBeauty in abstract paintings: perceptual contrast and statistical properties.Variations in intensity statistics for representational and abstract art, and for art from the Eastern and Western hemispheres.Quantification of artistic style through sparse coding analysis in the drawings of Pieter Bruegel the ElderNeuroaesthetics: a coming of age story.Visual discomfort and natural image statistics.Altered spatial frequency content in paintings by artists with schizophrenia.New methods for assessing the fascinating nature of nature experiences.Perceptual and Physiological Responses to Jackson Pollock's Fractals.Fourier power spectrum characteristics of face photographs: attractiveness perception depends on low-level image properties.The Golden Section as Optical Limitation.Temporal Structure of Human Gaze Dynamics Is Invariant During Free Viewing.Putting reward in art: A tentative prediction error account of visual art.Aesthetic judgement of orientation in modern art.Statistical image properties of print advertisements, visual artworks and images of architecture.Understanding the public, the visitors, and the participants in science communication activities.Subjective Ratings of Beauty and Aesthetics: Correlations With Statistical Image Properties in Western Oil Paintings.Abstract art and cortical motor activation: an EEG study.Discrimination of painting style and quality: pigeons use different strategies for different tasks.Buildings, Beauty, and the Brain: A Neuroscience of Architectural Experience.From regular text to artistic writing and artworks: Fourier statistics of images with low and high aesthetic appeal.Taxonomy of Individual Variations in Aesthetic Responses to Fractal Patterns.Beauty and the beholder: the role of visual sensitivity in visual preference.Computational and Experimental Approaches to Visual Aesthetics.Visual cortex activation predicts visual preference: evidence from Britain and Egypt.Toward Model Building for Visual Aesthetic Perception.The Ambiguity of Artworks -A Guideline for Empirical Aesthetics Research with Artworks as Stimuli.Statistical Image Properties in Large Subsets of Traditional Art, Bad Art, and Abstract Art.The spatial frequencies influence the aesthetic judgment of buildings transculturally.Beauty: neglected, but alive and kicking.Face Attractiveness versus Artistic Beauty in Art Portraits: A Behavioral Study.Edge-Orientation Entropy Predicts Preference for Diverse Types of Man-Made ImagesPreference for Fractal-Scaling Properties Across Synthetic Noise Images and Artworks
P2860
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P2860
A universal model of esthetic perception based on the sensory coding of natural stimuli.
description
article científic
@ca
article scientifique
@fr
articolo scientifico
@it
artigo científico
@pt
bilimsel makale
@tr
scientific article published on January 2007
@en
vedecký článok
@sk
vetenskaplig artikel
@sv
videnskabelig artikel
@da
vědecký článek
@cs
name
A universal model of esthetic perception based on the sensory coding of natural stimuli.
@en
A universal model of esthetic perception based on the sensory coding of natural stimuli.
@nl
type
label
A universal model of esthetic perception based on the sensory coding of natural stimuli.
@en
A universal model of esthetic perception based on the sensory coding of natural stimuli.
@nl
prefLabel
A universal model of esthetic perception based on the sensory coding of natural stimuli.
@en
A universal model of esthetic perception based on the sensory coding of natural stimuli.
@nl
P1433
P1476
A universal model of esthetic perception based on the sensory coding of natural stimuli.
@en
P2093
Christoph Redies
P304
P356
10.1163/156856807782753886
P577
2007-01-01T00:00:00Z