Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

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Genotypes of predomestic horses match phenotypes painted in Paleolithic works of cave art The visual brain and the early depiction of animals in Europe and Southeast Asia The Visual Brain, Perception, and Depiction of Animals in Rock Art

P2860

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P2860

Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

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2009 nî lūn-bûn

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Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

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Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

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Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

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P1476

Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

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Daniel Smilek

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James Allan Cheyne

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Lisa Meschino

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P2860

A feature-integration theory of attention

Recognition-by-components: a theory of human image understanding

Averageness, Exaggeration, and Facial Attractiveness

Visual object recognition: do we know more now than we did 20 years ago?

The expert Neandertal mind.

17,000 years of depicting the junction of two smooth shapes.

The first pictures: perceptual foundations of Paleolithic art.

Cave art interpretation I.

Cave art interpretation II.

The surrogate functions of lines in visual perception: evidence from antipodal rock and cave artwork sources.

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100-108

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10.1068/P6079

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2009-01-01T00:00:00Z

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19323140

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Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

about

P2860

P2860

Caricature and contrast in the Upper Palaeolithic: morphometric evidence from cave art.

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