about
“Hot, Black Leather, Whip”From Chavela to Frida: loving from the margins.Pink Ribbon Pin-Ups: photographing femininity after breast cancer.Innocents abroad: Western fantasies of childhood and the iconography of emergencies.Object of desire self-consciousness theory.Gender Differences in Object of Desire Self-Consciousness Sexual Fantasies.Reading Playboy for the articles: the graying of rape myths in black and white text, 1953 to 2003.Violence against women through the lens of objectification theory.Panic-disordered subjects' perceptions of film: a repertory grid study.Genre transvestites: testosterone tales and feminine textual bodies on Fox's "24" and "The Swan"."Private rooms and back doors in abundance": the illusion of privacy in pornography in seventeenth-century England."A beautiful idea": "The King and I" and the maternal promise of sentimental orientalism.The production of erotica: photobooks of teenage models in Hong Kong.Correlates of same-sex attractions and behaviors among self-identified heterosexual university students.What makes gambling cool? Images of agency and self-control in fiction films.Reproducing hegemony: the culture of enhancement and discourses on amphetamines in popular fiction.The horror of stigma: psychosis and mental health care environments in twenty-first-century horror film (part I).Vulnerable but aloof versus naughty and nice: contrasting the presentation of male and female nude models in Viva and Playboy.Failing Masculinity at the Club: A Poststructural Alternative to Intoxication Feminism.Suffering in Silence: The Political Aesthetics of Pain in Antonine ArtModes of Power in Technical and Professional VisualsStrange Voices: Subjectivity and Gender in Forbidden Planet’s Soundscape of TomorrowSlashing the Fiction of Queer TheoryPassing and policing: controlling compassion, bodies and boundaries inBoys Don’t CryandUnveiled/Fremde HautRemembrance of things past: The cultural context and the rise and fall in the popularity of photographer David HamiltonBoys Don't Cry and female masculinity: reclaiming a life & dismantling the politics of normative heterosexualityDesire, Youth, and Realism in Tamil CinemaMale gays in the female gaze: women who watch m/m pornography“Click Here”Feminist Philosophy of ArtThe Standpoint of Art/Criticism: Cindy Sherman as Feminist Artist?*Representations of rape in popular culture: Gone Girl and BadlapurCinematic “Pas de Deux”: The Dialogue between Maya Deren's Experimental Filmmaking and Talley Beatty's Black Ballet Dancer in A Study in Choreography for Camera (1945)Bare bodies, beaches, and boundaries: Abjected outsiders and rearticulation at the nude beachFeminist Media TheoryWomen with a MissionBeyond the `Sexualization of Culture' Thesis: An Intersectional Analysis of `Sixpacks',`Midriffs' and `Hot Lesbians' in AdvertisingFeminist sexualities, race and the internet: an investigation of suicidegirls.comGlobal Trauma and the Cinematic Network SocietySexting on Campus: Minimizing Perceived Risks and Neutralizing Behaviors
P2860
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P2860
description
im September 1975 veröffentlichter wissenschaftlicher Artikel
@de
wetenschappelijk artikel
@nl
наукова стаття, опублікована у вересні 1975
@uk
name
Visual Pleasure and Narrative Cinema
@en
Visual Pleasure and Narrative Cinema
@nl
type
label
Visual Pleasure and Narrative Cinema
@en
Visual Pleasure and Narrative Cinema
@nl
prefLabel
Visual Pleasure and Narrative Cinema
@en
Visual Pleasure and Narrative Cinema
@nl
P356
P1433
P1476
Visual Pleasure and Narrative Cinema
@en
P2093
P356
10.1093/SCREEN/16.3.6
P577
1975-09-01T00:00:00Z