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Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 3. Synthesis, characterization, and detection of different crystal forms of the chrome yellow pigment.Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques.Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods.The use of synchrotron radiation for the characterization of artists' pigments and paintings.Plumbonacrite identified by X-ray powder diffraction tomography as a missing link during degradation of red lead in a Van Gogh painting.Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow paMacroscopic Fourier transform infrared scanning in reflection mode (MA-rFTIR), a new tool for chemical imaging of cultural heritage artefacts in the mid-infrared range.Combined use of synchrotron radiation based micro-X-ray fluorescence, micro-X-ray diffraction, micro-X-ray absorption near-edge, and micro-fourier transform infrared spectroscopies for revealing an alternative degradation pathway of the pigment cadmCombined Computed Nanotomography and Nanoscopic X-ray Fluorescence Imaging of Cobalt Nanoparticles in Caenorhabditis elegans.Casting light on the darkening of colors in historical paintings.Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van GoghChromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil mediumBack Cover: Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk (Angew. Chem. Int. Ed. 25/2018)Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation RiskChemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation RiskRücktitelbild: Chemical Mapping by Macroscopic X-ray Powder Diffraction (MA-XRPD) of Van Gogh's Sunflowers : Identification of Areas with Higher Degradation Risk (Angew. Chem. 25/2018)Development of a new portable X-ray powder diffractometer and its demonstration to on-site analysis of two selected old master paintings from the RijksmuseumChemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanningVirtual Archaeology of Altered Paintings: Multiscale Chemical Imaging Tools2D X-ray and FTIR micro-analysis of the degradation of cadmium yellow pigment in paintings of Henri MatisseAlteration of fossil-bearing shale (Autun, France; Permian), part II: Monitoring artificial and natural ageing by combined use of S and Ca K-edge XANES analysis, Rock-Eval pyrolysis and FTIR analysisAccelerated ageing of shales of palaeontological interest: Impact of temperature conditionsXRDUA: crystalline phase distribution maps by two-dimensional scanning and tomographic (micro) X-ray powder diffractionEfficiency of applying ammonium oxalate for protection of monumental limestone by poultice, immersion and brushing methodsCombining XANES, ICP-AES, and SEM/EDS for the study of phytate chelating treatments used on iron gall ink damaged manuscriptsRoom-Temperature Study of Iron Gall Ink Impregnated Paper Degradation under Various Oxygen and Humidity Conditions: Time-Dependent Monitoring by Viscosity and X-ray Absorption Near-Edge Spectrometry MeasurementsX-ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and ApplicationsTransmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de HeemMacroscopic x-ray powder diffraction imaging reveals Vermeer's discriminating use of lead white pigments in Girl with a Pearl EarringProbing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques
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P50
description
researcher
@en
wetenschapper
@nl
հետազոտող
@hy
name
Frederik Vanmeert
@ast
Frederik Vanmeert
@en
Frederik Vanmeert
@es
Frederik Vanmeert
@nl
type
label
Frederik Vanmeert
@ast
Frederik Vanmeert
@en
Frederik Vanmeert
@es
Frederik Vanmeert
@nl
prefLabel
Frederik Vanmeert
@ast
Frederik Vanmeert
@en
Frederik Vanmeert
@es
Frederik Vanmeert
@nl
P106
P21
P31
P496
0000-0003-1238-0189