Afro-Cuban jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo "Machito" in the band Machito and his Afro-Cubans, based in New York City. In 1947 the collaborations of bebop innovator Dizzy Gillespie with Cuban percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, most notably the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as Dizzy's and Pozo's "Manteca" and Charlie Parker's and Machito's "Mangó Mangüé", were commonly referred to as "Cubop", short for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger
Alex Acuña
Alex Cuba
Arturo Stable
Bebo Valdés
Candido Camero
Chucho Valdés
Dizzy Gillespie
Guillermo Barreto
Irakere
Irvin Mayfield
Jane Bunnett
Jerry González
Kahil El'Zabar
Luis Bonilla
Mario Bauzá
Adonis PuentesAfrican High LifeAfro (album)Amadito ValdésArturo O'FarrillBob QuarantaBobby SanabriaBrent FischerCal TjaderCarlos "Patato" ValdesChico O'FarrillClare FischerClarity: Music of Clare FischerCándido AntomatteiDavid BlinkDayramir GonzalezEl Arte del SaborFrancisco AguabellaFrank Emilio FlynnJimmy Cozier (jazz musician)La Palabra (musician)Los Hombres Calientes, Vol. 1Los Hombres Calientes, Vol. 3: New Congo SquareMemo AcevedoMichele Rosewoman
genre
music fusion genre
primaryTopic
Afro-Cuban jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz first emerged in the early 1940s with the Cuban musicians Mario Bauza and Frank Grillo "Machito" in the band Machito and his Afro-Cubans, based in New York City. In 1947 the collaborations of bebop innovator Dizzy Gillespie with Cuban percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, most notably the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as Dizzy's and Pozo's "Manteca" and Charlie Parker's and Machito's "Mangó Mangüé", were commonly referred to as "Cubop", short for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger
has abstract
Afro-Cuban jazz is the earlies ...... cing new styles such as songo.
@en
El jazz afrocubano (en inglés, ...... as palabras "Cuba" y "Be bop".
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Le jazz afro-cubain (en espagn ...... te ont aussi inspiré le genre.
@fr
アフロ・キューバン・ジャズ(Afro-Cuban jazz) ...... ンボ、サルサ、メレンゲ、チャチャチャの要素を含むものを指す。
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instrument
stylistic origin
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Wikipage page ID
Wikipage revision ID
743,535,395
background
cultural origins
Cuban immigrants in New York City
popularity
Late 40's till today
subject
hypernym
comment
Afro-Cuban jazz is the earlies ...... ban jazz movement was stronger
@en
El jazz afrocubano (en inglés, ...... as palabras "Cuba" y "Be bop".
@es
Le jazz afro-cubain (en espagn ...... de la bossa nova brésilienne.
@fr
アフロ・キューバン・ジャズ(Afro-Cuban jazz) ...... ンボ、サルサ、メレンゲ、チャチャチャの要素を含むものを指す。
@ja
label
Afro-Cuban jazz
@en
Jazz afro-cubain
@fr
Jazz afrocubano
@es
Jazz afrocubano
@it
アフロ・キューバン・ジャズ
@ja
wasDerivedFrom
depiction
isPrimaryTopicOf
name
Afro-Cuban jazz
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