Attacco
Attacco, in music, indicates a short phrase, treated as a point of imitation; and employed, either as the subject of a fugue, as a subordinate element introduced for the purpose of increasing the interest of its development, as a leading feature in a motet, madrigal, full anthem, or other choral composition, or as a means of relieving the monotony of an otherwise too homogeneous part-song. The name comes from the Italian attaccare, "to unite" or "to bind together." A striking instance of an attacco used as the subject of a fugue is J. S. Bach's The Well-Tempered Clavier, No. 27.
primaryTopic
Attacco
Attacco, in music, indicates a short phrase, treated as a point of imitation; and employed, either as the subject of a fugue, as a subordinate element introduced for the purpose of increasing the interest of its development, as a leading feature in a motet, madrigal, full anthem, or other choral composition, or as a means of relieving the monotony of an otherwise too homogeneous part-song. The name comes from the Italian attaccare, "to unite" or "to bind together." A striking instance of an attacco used as the subject of a fugue is J. S. Bach's The Well-Tempered Clavier, No. 27.
has abstract
Attacco, in music, indicates a ...... : Setze mir nicht, du Grobian.
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Wikipage page ID
Wikipage revision ID
700,328,240
article
The Well-Tempered Clavier
reason
No No. 27 in The Well Tempered Clavier
comment
Attacco, in music, indicates a ...... Well-Tempered Clavier, No. 27.
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label
Attacco
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