Queer is the eighth and final studio album by the British pop group Thompson Twins. Queer was the second album for the Warner Bros. label, following the 1989 album Big Trash. Although the previous album was not a major commercial success, it did spawn the Top 30 hit "Sugar Daddy" in the US. Before the release of Queer, it appeared as if the band was on the verge of commercial rebirth. Tom Bailey and engineer Keith Fernley had been experimenting with making dance music under the moniker "Feedback Max." As such, the group slipped several white-label 12-inch singles to London disc jockeys, the most successful of which was a track called Come Inside. The rave-style record became massively popular, and charted high on the playlists of influential DJs. Most of the Feedback Max records, including