Aiiieeeee! An Anthology of Asian-American Writers

The anthology is also notable for its opening essay, "Fifty Years of Our Whole Voice", which laid out a list of concerns facing Asian American writers--orientalism, monolingualism, ghettoed communities, class issues, etc.--that have become important for Asian American scholarship. The essay also lays out the editors' understanding of what constitutes "a true Asian American sensibility": namely, that it is "non-Christian, nonfeminine, and nonimmigrant." These stances have been controversial, especially after the rise of Asian American women's literature (Maxine Hong Kingston, Amy Tan, et al.) and the change in Asian American demographics in the 1980s, when more Asian American writers were immigrants (e.g., Bharati Mukherjee) and/or from other Asian cultures (e.g., Korean, Indian, Vietnamese

Aiiieeeee! An Anthology of Asian-American Writers

The anthology is also notable for its opening essay, "Fifty Years of Our Whole Voice", which laid out a list of concerns facing Asian American writers--orientalism, monolingualism, ghettoed communities, class issues, etc.--that have become important for Asian American scholarship. The essay also lays out the editors' understanding of what constitutes "a true Asian American sensibility": namely, that it is "non-Christian, nonfeminine, and nonimmigrant." These stances have been controversial, especially after the rise of Asian American women's literature (Maxine Hong Kingston, Amy Tan, et al.) and the change in Asian American demographics in the 1980s, when more Asian American writers were immigrants (e.g., Bharati Mukherjee) and/or from other Asian cultures (e.g., Korean, Indian, Vietnamese