Phrygian dominant scale
In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. Also called the altered Phrygian scale, harmonic minor perfect fifth below, dominant flat 2 flat 6 (in jazz), the Freygish scale (also spelled Fraigish), or simply the fifth mode of the harmonic minor scale. It resembles the scale of the Phrygian mode but has a major third. In the Berklee method, it is known as the Mixolydian b9 b13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V7/III and V7/VI.
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Phrygian dominant scale
In music, the Phrygian dominant scale is the fifth mode of the harmonic minor scale, the fifth being the dominant. Also called the altered Phrygian scale, harmonic minor perfect fifth below, dominant flat 2 flat 6 (in jazz), the Freygish scale (also spelled Fraigish), or simply the fifth mode of the harmonic minor scale. It resembles the scale of the Phrygian mode but has a major third. In the Berklee method, it is known as the Mixolydian b9 b13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V7/III and V7/VI.
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Die phrygisch-dominante Tonlei ...... Communards (in Cis-Phrygisch).
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In music, the Phrygian dominan ...... d scales for V7/III and V7/VI.
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Nella Scala maggiore orientale ...... Re♭, Mi, Fa, Sol♭, La, Si♭, Do
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Die phrygisch-dominante Tonlei ...... em diese Skala verwendet wird.
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In music, the Phrygian dominan ...... d scales for V7/III and V7/VI.
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Nella Scala maggiore orientale ...... º grado. s, 3s, s, s, 3s, s, t
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Phrygian dominant scale
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Phrygisch-dominante Tonleiter
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Scala orientale
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