Punk pathetique

Punk pathetique is a subgenre of British punk rock (principally active circa 1980–1982) that involved humour and working class cultural themes. The name of the genre was coined by then-Sounds journalist Garry Bushell, who actively championed many of its exponents. Punk pathetique was initially an attempt to characterize a group of London bands that embodied Cockney culture with a Dickensian working class attitude. Musically it was related to (and had crossover with) the Oi! subgenre. The cover of the 1980 Bushell/Sounds compilation album Oi the Album described the record as featuring "ruck 'n' rollers and punk pathetiques". In contrast to harder-edged Oi! bands with more serious lyrics, punk pathetique bands focused on the naughty, silly and trivial. Max Splodge of Splodgenessabounds said:

Punk pathetique

Punk pathetique is a subgenre of British punk rock (principally active circa 1980–1982) that involved humour and working class cultural themes. The name of the genre was coined by then-Sounds journalist Garry Bushell, who actively championed many of its exponents. Punk pathetique was initially an attempt to characterize a group of London bands that embodied Cockney culture with a Dickensian working class attitude. Musically it was related to (and had crossover with) the Oi! subgenre. The cover of the 1980 Bushell/Sounds compilation album Oi the Album described the record as featuring "ruck 'n' rollers and punk pathetiques". In contrast to harder-edged Oi! bands with more serious lyrics, punk pathetique bands focused on the naughty, silly and trivial. Max Splodge of Splodgenessabounds said: