Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate.
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The evolutionary biology of musical rhythm: was Darwin wrong?Monkey drumming reveals common networks for perceiving vocal and nonvocal communication soundsFrom perception to pleasure: music and its neural substrates.Sex Differences in Rhythmic Preferences in the Budgerigar (Melopsittacus undulatus): A Comparative Study with Humans.Searching for the origins of musicality across species.The origins of music in auditory scene analysis and the roles of evolution and culture in musical creation.Newborn infants' auditory system is sensitive to Western music chord categories.The effect of music on cognitive performance: insight from neurobiological and animal studies.Probing the evolutionary origins of music perception.Sensory cortical response to uncertainty and low salience during recognition of affective cues in musical intervals.Grima: A Distinct Emotion Concept?Chimpanzees prefer African and Indian music over silence.Music perception, pitch, and the auditory system.A biological rationale for musical consonance.Commentary: Cats prefer species-appropriate music.Processing advantages for consonance: A comparison between rats (Rattus norvegicus) and humans (Homo sapiens).Gaze Duration Biases for Colours in Combination with Dissonant and Consonant Sounds: A Comparative Eye-Tracking Study with Orangutans.Commentary: Revisiting vocal perception in non-human animals: a review of vowel discrimination, speaker voice recognition, and speaker normalizationAuditory-nerve responses predict pitch attributes related to musical consonance-dissonance for normal and impaired hearingChicks like consonant music.Behavioral methods in infancy: pitfalls of single measures.Two challenges in cognitive musicology.The basis of musical consonance as revealed by congenital amusia.Preference for consonance over dissonance by hearing newborns of deaf parents and of hearing parents.The use of interval ratios in consonance perception by rats (Rattus norvegicus) and humans (Homo sapiens)Animal Pitch Perception: Melodies and Harmonies.Vocal similarity predicts the relative attraction of musical chords.Harmonic calls and indifferent females: no preference for human consonance in an anuran.The Pleasure of Making Sense of MusicThe overrated power of background music in television news magazines: A replication of Brosius’ 1990 studyThe need to consider underlying mechanisms: A response from dissonance
P2860
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P2860
Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate.
description
2004 nî lūn-bûn
@nan
2004 թուականի Դեկտեմբերին հրատարակուած գիտական յօդուած
@hyw
2004 թվականի դեկտեմբերին հրատարակված գիտական հոդված
@hy
2004年の論文
@ja
2004年論文
@yue
2004年論文
@zh-hant
2004年論文
@zh-hk
2004年論文
@zh-mo
2004年論文
@zh-tw
2004年论文
@wuu
name
Are consonant intervals music ...... erences in a nonhuman primate.
@ast
Are consonant intervals music ...... erences in a nonhuman primate.
@en
type
label
Are consonant intervals music ...... erences in a nonhuman primate.
@ast
Are consonant intervals music ...... erences in a nonhuman primate.
@en
prefLabel
Are consonant intervals music ...... erences in a nonhuman primate.
@ast
Are consonant intervals music ...... erences in a nonhuman primate.
@en
P1433
P1476
Are consonant intervals music ...... erences in a nonhuman primate.
@en
P2093
Josh McDermott
Marc Hauser
P304
P356
10.1016/J.COGNITION.2004.04.004
P577
2004-12-01T00:00:00Z