Memory for musical tempo: additional evidence that auditory memory is absolute.
about
Velocity modulation and rhythmic synchronization of gait in Huntington's disease.Control of Expressive and Metronomic Timing in Pianists.Detection of metric structure in auditory figural patterns.The perception of tempo in music.Conveying movement in music and prosodyThe effect of exercise-induced arousal on chosen tempi for familiar melodies.The effects of metronomic pendular adjustment versus tap-tempo input on the stability and accuracy of tempo perception.A little elastic for a better performance: kinesiotaping of the motor effector modulates neural mechanisms for rhythmic movements.Unforgettable film music: the role of emotion in episodic long-term memory for music.Absolute Memory for Tempo in Musicians and Non-Musicians.Remembering the melody and timbre, forgetting the key and tempo.Music, clicks, and their imaginations favor differently the event-based timing component for rhythmic movements.Current advances in the cognitive neuroscience of music.The speed of our mental soundtracks: Tracking the tempo of involuntary musical imagery in everyday lifeRelative priming of temporal local--global levels in auditory hierarchical stimuliAcquired and congenital disorders of sung performance: A reviewMeasuring the representational space of music with fMRI: a case study with Sting.Disorders of pitch production in tone deafnessSomething in the way she sings: enhanced memory for vocal melodies.Musical expertise and the ability to imagine loudnessTempo discrimination of musical patterns: effects due to pitch and rhythmic structure.Images of time: temporal aspects of auditory and movement imagination.Good Pitch Memory Is WidespreadLong-term memory for temporal structure: evidence form the identification of well-known and novel songs.Name that tune: identifying popular recordings from brief excerpts.Singing proficiency in the majority: normality and "phenotypes" of poor singing.Context effects on tempo and pleasantness judgments for Beatles songs.The effect of intensity on relative pitch.Memory for surface features of unfamiliar melodies: independent effects of changes in pitch and tempo.Modulation of isochronous movements in a flexible environment: links between motion and auditory experience.Testing the absolute-tempo hypothesis: context effects for familiar and unfamiliar songs.Memory for vocal tempo and pitch.Absolute pitch and tempo in mothers' songs to infants.Involuntary and voluntary recall of musical memories: A comparison of temporal accuracy and emotional responses.Expectation, information processing, and subjective duration.Lateralisation of non-metric rhythm.Probing imagined tempo for music: Effects of motor engagement and musical experienceAbsolute memory for pitch: A comparative replication of Levitin’s 1994 study in six European labsUbi-RKE: A Rhythm Key Based Encryption Scheme for Ubiquitous Devices
P2860
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P2860
Memory for musical tempo: additional evidence that auditory memory is absolute.
description
1996 nî lūn-bûn
@nan
1996 թուականի Օգոստոսին հրատարակուած գիտական յօդուած
@hyw
1996 թվականի օգոստոսին հրատարակված գիտական հոդված
@hy
1996年の論文
@ja
1996年論文
@yue
1996年論文
@zh-hant
1996年論文
@zh-hk
1996年論文
@zh-mo
1996年論文
@zh-tw
1996年论文
@wuu
name
Memory for musical tempo: additional evidence that auditory memory is absolute.
@ast
Memory for musical tempo: additional evidence that auditory memory is absolute.
@en
type
label
Memory for musical tempo: additional evidence that auditory memory is absolute.
@ast
Memory for musical tempo: additional evidence that auditory memory is absolute.
@en
prefLabel
Memory for musical tempo: additional evidence that auditory memory is absolute.
@ast
Memory for musical tempo: additional evidence that auditory memory is absolute.
@en
P2860
P356
P1476
Memory for musical tempo: additional evidence that auditory memory is absolute.
@en
P2093
P2860
P2888
P304
P356
10.3758/BF03205494
P577
1996-08-01T00:00:00Z
P6179
1040400093