Natural auditory scene statistics shapes human spatial hearing
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"Turn Up the Taste": Assessing the Role of Taste Intensity and Emotion in Mediating Crossmodal Correspondences between Basic Tastes and Pitch.Tactile length contraction as Bayesian inferenceStatistics of natural reverberation enable perceptual separation of sound and space.Absence of modulatory action on haptic height perception with musical pitch.Hearing in slow-motion: Humans underestimate the speed of moving soundsInternalized elevation perception of simple stimuli in cochlear-implant and normal-hearing listenersHow our body influences our perception of the world.The opponent channel population code of sound location is an efficient representation of natural binaural sounds.Naturally together: pitch-height and brightness as coupled factors for eliciting the SMARC effect in non-musicians.Contingent sounds change the mental representation of one's finger length.Encoding audio motion: spatial impairment in early blind individualsThe Emergence of Synaesthesia in a Neuronal Network Model via Changes in Perceptual Sensitivity and Plasticity.Direction of Auditory Pitch-Change Influences Visual Search for Slope From Graphs.The semantic basis of taste-shape associations.Rising tones and rustling noises: Metaphors in gestural depictions of sounds.Music-space associations are grounded, embodied and situated: examination of cello experts and non-musicians in a standard tone discrimination task.Does Language Influence the Vertical Representation of Auditory Pitch and Loudness?Cross-Sensory Correspondences: Heaviness is Dark and Low-Pitched.Low is large: spatial location and pitch interact in voice-based body size estimation.Crossmodal Correspondence Between Auditory Pitch and Visual Elevation Affects Temporal Ventriloquism.Symmetry and its role in the crossmodal correspondence between shape and taste.Are crossmodal correspondences relative or absolute? Sequential effects on speeded classification.Responding to sounds from unseen locations: crossmodal attentional orienting in response to sounds presented from the rear.Drawing sounds: representing tones and chords spatially.Crossmodal Correspondences: Four Challenges.Multisensory Motion Perception in 3-4 Month-Old Infants.Modulation frequency as a cue for auditory speed perception.Cross-Modal Associations between Color and Haptics.Does Grammatical Number Influence the Semantic Priming Between Number Cues and Words Related to Vertical Space? An Investigation Using Virtual Reality.Depth variation and stereo processing tasks in natural scenes.Neural adaptation accounts for the dynamic resizing of peripersonal space: evidence from a psychophysical-computational approachSound Properties Associated With Equiluminant ColoursCross-Modal Correspondences in Non-human Mammal Communication
P2860
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P2860
Natural auditory scene statistics shapes human spatial hearing
description
2014 nî lūn-bûn
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2014 թուականի Ապրիլին հրատարակուած գիտական յօդուած
@hyw
2014 թվականի ապրիլին հրատարակված գիտական հոդված
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2014年の論文
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2014年論文
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2014年論文
@zh-hant
2014年論文
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2014年論文
@zh-mo
2014年論文
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2014年论文
@wuu
name
Natural auditory scene statistics shapes human spatial hearing
@ast
Natural auditory scene statistics shapes human spatial hearing
@en
type
label
Natural auditory scene statistics shapes human spatial hearing
@ast
Natural auditory scene statistics shapes human spatial hearing
@en
prefLabel
Natural auditory scene statistics shapes human spatial hearing
@ast
Natural auditory scene statistics shapes human spatial hearing
@en
P2093
P2860
P356
P1476
Natural auditory scene statistics shapes human spatial hearing
@en
P2093
Cesare V Parise
Katharina Knorre
Marc O Ernst
P2860
P304
P356
10.1073/PNAS.1322705111
P407
P577
2014-04-07T00:00:00Z