The influence of presentation format and viewer training in the visual arts on the perception of pictorial and aesthetic qualities of paintings.
about
Experiencing art: the influence of expertise and painting abstraction levelArt expertise modulates the emotional response to modern art, especially abstract: an ERP investigationSpatial balance of color triads in the abstract art of Piet MondrianCan science account for taste? Psychological insights into art appreciationArt in time and space: context modulates the relation between art experience and viewing time.Looking at paintings in the Vincent Van Gogh Museum: Eye movement patterns of children and adultsConnecting Art and the Brain: An Artist's Perspective on Visual IndeterminacyIs this a "Fettecke" or just a "greasy corner"? About the capability of laypersons to differentiate between art and non-art via object's originality.The Influence of Art Expertise and Training on Emotion and Preference Ratings for Representational and Abstract Artworks.Art Perception in the Museum: How We Spend Time and Space in Art Exhibitions.Towards a new kind of experimental psycho-aesthetics? Reflections on the Parallellepipeda project.But Is It really Art? The Classification of Images as "Art"/"Not Art" and Correlation with Appraisal and Viewer Interpersonal Differences.Social Factors in Aesthetics: Social Conformity Pressure and a Sense of Being Watched Affect Aesthetic Judgments.Implicit and Explicit Evaluation of Visual Symmetry as a Function of Art Expertise.Aesthetics and Astronomy: Studying the Public’s Perception and Understanding of Imagery From SpaceWhat is ‘the real thing’ in the museum? An interpretative phenomenological studyDoes Viewing Art in the Museum Reduce Anxiety and Improve Wellbeing?Capturing Aesthetic Experiences With Installation Art: An Empirical Assessment of Emotion, Evaluations, and Mobile Eye Tracking in Olafur Eliasson's "Baroque, Baroque!"Package Graphic Design: Investigating the Variables that Moderate Consumer Response to Atypical Designs
P2860
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P2860
The influence of presentation format and viewer training in the visual arts on the perception of pictorial and aesthetic qualities of paintings.
description
2001 nî lūn-bûn
@nan
2001 թուականի Յունուարին հրատարակուած գիտական յօդուած
@hyw
2001 թվականի հունվարին հրատարակված գիտական հոդված
@hy
2001年の論文
@ja
2001年論文
@yue
2001年論文
@zh-hant
2001年論文
@zh-hk
2001年論文
@zh-mo
2001年論文
@zh-tw
2001年论文
@wuu
name
The influence of presentation ...... thetic qualities of paintings.
@ast
The influence of presentation ...... thetic qualities of paintings.
@en
type
label
The influence of presentation ...... thetic qualities of paintings.
@ast
The influence of presentation ...... thetic qualities of paintings.
@en
prefLabel
The influence of presentation ...... thetic qualities of paintings.
@ast
The influence of presentation ...... thetic qualities of paintings.
@en
P2093
P356
P1433
P1476
The influence of presentation ...... thetic qualities of paintings.
@en
P2093
P304
P356
10.1068/P3008
P577
2001-01-01T00:00:00Z