The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
about
Episodes, events, and modelsSituation models, mental simulations, and abstract concepts in discourse comprehensionUni- and multisensory brain areas are synchronised across spectators when watching unedited dance recordingsEvent segmentation ability uniquely predicts event memory.Eyeblink rate watching classical Hollywood and post-classical MTV editing styles, in media and non-media professionals.Looking at reality versus watching screens: Media professionalization effects on the spontaneous eyeblink rate.Starting from scratch and building brick by brick in comprehension.Understanding human original actions directed at real-world goals: the role of the lateral prefrontal cortexSimulating fiction: individual differences in literature comprehension revealed with FMRI.The impact of continuity editing in narrative film on event segmentationWhat Would Jaws Do? The Tyranny of Film and the Relationship between Gaze and Higher-Level Narrative Film Comprehension.(Pea)nuts and bolts of visual narrative: structure and meaning in sequential image comprehension.Aging and perceived event structure as a function of modality.Data-driven approaches in the investigation of social perception.Functional anatomy of temporal organisation and domain-specificity of episodic memory retrievalDrawing the line between constituent structure and coherence relations in visual narratives.Visual narrative structure.Discovering Event Structure in Continuous Narrative Perception and Memory.Bridging views in cinema: a review of the art and science of view integration.Neural correlates of emotional regulation while viewing films.Constructing Experience: Event Models from Perception to Action.Neural mechanisms for integrating consecutive and interleaved natural events.Mind wandering during film comprehension: The role of prior knowledge and situational interest.Re-presentations of space in Hollywood movies: an event-indexing analysis.Event segmentation improves event memory up to one month later.Event Boundaries in Memory and Cognition.Set-relevance determines the impact of distractors on episodic memory retrieval.The evolution of pace in popular movies.Temporal fractals in movies and mind.
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P2860
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
description
2010 nî lūn-bûn
@nan
2010 թուականի Հոկտեմբերին հրատարակուած գիտական յօդուած
@hyw
2010 թվականի հոտեմբերին հրատարակված գիտական հոդված
@hy
2010年の論文
@ja
2010年論文
@yue
2010年論文
@zh-hant
2010年論文
@zh-hk
2010年論文
@zh-mo
2010年論文
@zh-tw
2010年论文
@wuu
name
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@ast
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@en
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@nl
type
label
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@ast
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@en
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@nl
prefLabel
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@ast
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@en
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@nl
P2093
P2860
P356
P1476
The Brain's Cutting-Room Floor: Segmentation of Narrative Cinema.
@en
P2093
Corey J Maley
Jeffrey M Zacks
Khena M Swallow
Nicole K Speer
P2860
P356
10.3389/FNHUM.2010.00168
P577
2010-10-01T00:00:00Z