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The semantics of biological forms.

The semantics of biological forms.

http://www.wikidata.org/entity/Q38416469

about

Cross-modal associations between materic painting and classical Spanish music.The Tactile Dimensions of Abstract Paintings: A Cross-Modal Study.The semantic basis of taste-shape associations.Chromatic Dimensions Earthy, Watery, Airy, and Fiery.

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The semantics of biological forms.

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2014 nî lūn-bûn

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The semantics of biological forms.

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The semantics of biological forms.

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The semantics of biological forms.

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The semantics of biological forms.

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James Dadam

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Luisa Canal

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Rocco Micciolo

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P2860

Individual differences among grapheme-color synesthetes: brain-behavior correlations

On the taste of “Bouba” and “Kiki”: An exploration of word–food associations in neurologically normal participants

Synaesthesia for reading and playing musical notes.

Sound-colour synaesthesia: to what extent does it use cross-modal mechanisms common to us all?

Crossmodal correspondences between odors and contingent features: odors, musical notes, and geometrical shapes.

Non-random associations of graphemes to colours in synaesthetic and non-synaesthetic populations.

Why we are not all synesthetes (not even weakly so).

Crossmodal interactions: lessons from synesthesia.

Crossmodal correspondences: a tutorial review.

How automatic are crossmodal correspondences?

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scholarly article

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10.1068/P7794

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12

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Liliana Albertazzi

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25669053

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