about
Structural content in paintings: artists overregularize oriented content of paintings relative to the typical natural scene bias.Measuring pictorial balance perception at first glance using Japanese calligraphy.Aesthetic judgement of orientation in modern art.Using an oculomotor signature as an indicator of aesthetic preference.What Gaze Fixation and Pupil Dilation Can Tell Us About Perceived Differences Between Abstract Art by Artists Versus by Children and Animals."The anti-developmental, the anti-narrative, the anti-historical": Mondrian as a paradigmatic artist for empirical aesthetics.
P2860
description
2009 nî lūn-bûn
@nan
2009年の論文
@ja
2009年論文
@yue
2009年論文
@zh-hant
2009年論文
@zh-hk
2009年論文
@zh-mo
2009年論文
@zh-tw
2009年论文
@wuu
2009年论文
@zh
2009年论文
@zh-cn
name
Mondrian, eye movements, and the oblique effect.
@en
type
label
Mondrian, eye movements, and the oblique effect.
@en
prefLabel
Mondrian, eye movements, and the oblique effect.
@en
P2860
P356
P1433
P1476
Mondrian, eye movements, and the oblique effect.
@en
P2093
James A Schirillo
Jordan E Plumhoff
P2860
P304
P356
10.1068/P6160
P577
2009-01-01T00:00:00Z