An empirical evaluation of the visual rightness theory of pictorial composition.
about
Spatial balance of color triads in the abstract art of Piet MondrianUsing CNN Features to Better Understand What Makes Visual Artworks Special.Neuroaesthetics: a coming of age story.Towards a new kind of experimental psycho-aesthetics? Reflections on the Parallellepipeda project.Measuring pictorial balance perception at first glance using Japanese calligraphy.Aesthetic preference for spatial composition in multiobject picturesAesthetic issues in spatial composition: representational fit and the role of semantic context.Preference for Well-Balanced Saliency in Details Cropped from Photographs.Aesthetic perception and its minimal content: a naturalistic perspectiveComputational and Experimental Approaches to Visual Aesthetics.Statistical Image Properties in Large Subsets of Traditional Art, Bad Art, and Abstract Art.Eye Movement Correlates of Expertise in Visual Arts.Gist Perception of Image Composition in Abstract Artworks.
P2860
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P2860
An empirical evaluation of the visual rightness theory of pictorial composition.
description
1999 nî lūn-bûn
@nan
1999年の論文
@ja
1999年論文
@yue
1999年論文
@zh-hant
1999年論文
@zh-hk
1999年論文
@zh-mo
1999年論文
@zh-tw
1999年论文
@wuu
1999年论文
@zh
1999年论文
@zh-cn
name
An empirical evaluation of the visual rightness theory of pictorial composition.
@en
type
label
An empirical evaluation of the visual rightness theory of pictorial composition.
@en
prefLabel
An empirical evaluation of the visual rightness theory of pictorial composition.
@en
P2093
P1433
P1476
An empirical evaluation of the visual rightness theory of pictorial composition.
@en
P2093
Overbeeke K
Stappers PJ
P304
P356
10.1016/S0001-6918(99)00044-X
P577
1999-12-01T00:00:00Z