about
Universal Principles of Depicting Oneself across the Centuries: From Renaissance Self-Portraits to Selfie-Photographs.Taking the Perfect Selfie: Investigating the Impact of Perspective on the Perception of Higher Cognitive VariablesNeuroaesthetics and the trouble with beauty.Inferring Master Painters' Esthetic Biases from the Statistics of PortraitsAesthetic preference in the spatial composition of traditional Chinese paintings.The anterior bias in visual art: the case of images of animals.‘Selfies’ Reveal Systematic Deviations from Known Principles of Photographic CompositionVirtual 3-D Facial Reconstruction
P2860
Q33453276-8334022A-A5C7-4FD4-B2D9-9F3177F244A7Q33780743-DFFD7D91-DF55-4E81-B059-31C815D7826BQ34335143-F2E8F99F-C5C5-41EC-829E-D5481EC28091Q37689789-2C151C18-BFDA-4CCB-A384-B50C38968953Q38412172-8A7CF3BF-93F0-4803-94B6-505C65542A33Q38440239-EF27B4B4-B221-49AF-BC4B-FF3C946BBF38Q56565433-D45EAA6D-CFC2-436B-A0D9-D783ACF01106Q59150478-375EC1A4-66F8-4D0D-BD74-D8488492F611
P2860
description
article publié dans la revue scientifique Nature
@fr
scientific article published in Nature
@en
wetenschappelijk artikel
@nl
наукова стаття, опублікована в Nature у квітні 1998
@uk
name
Painters centre one eye in portraits
@en
Painters centre one eye in portraits
@nl
type
label
Painters centre one eye in portraits
@en
Painters centre one eye in portraits
@nl
prefLabel
Painters centre one eye in portraits
@en
Painters centre one eye in portraits
@nl
P356
P1433
P1476
Painters centre one eye in portraits
@en
P2093
Christopher W. Tyler
P2888
P304
P356
10.1038/31833
P407
P577
1998-04-01T00:00:00Z
P6179
1027841245