Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks.Emotional expression in music: contribution, linearity, and additivity of primary musical cuesMusic and Its Inductive Power: A Psychobiological and Evolutionary Approach to Musical Emotions.The Pleasure Evoked by Sad Music Is Mediated by Feelings of Being Moved.Neural discrimination of nonprototypical chords in music experts and laymen: an MEG study.Being Moved by Unfamiliar Sad Music Is Associated with High Empathy.Mild Dissonance Preferred Over Consonance in Single Chord Perception.It's Sad but I Like It: The Neural Dissociation Between Musical Emotions and Liking in Experts and Laypersons.Music-induced changes in functional cerebral asymmetries.Rhythmic engagement with music in infancyMemorable Experiences with Sad Music-Reasons, Reactions and Mechanisms of Three Types of Experiences.Incremental comprehension of pitch relationships in written music: Evidence from eye movements.Group Rumination: Social Interactions Around Music in People with Depression.Music-induced positive mood broadens the scope of auditory attentionThe role of mood and personality in the perception of emotions represented by music.Modeling listeners' emotional response to music.Universal and culture-specific factors in the recognition and performance of musical affect expressions.Formulating a Revised Taxonomy for Modes of ListeningAutocorrelation in meter induction: the role of accent structure.An integrative review of the enjoyment of sadness associated with music.Explaining the enjoyment of negative emotions evoked by the arts: The need to consider empathy and other underlying mechanisms of emotion induction.Editorial: Music and the Functions of the Brain: Arousal, Emotions, and Pleasure.Shared periodic performer movements coordinate interactions in duo improvisations.Music Communicates Affects, Not Basic Emotions - A Constructionist Account of Attribution of Emotional Meanings to Music.Suppressing the Chills: Effects of Musical Manipulation on the Chills ResponseMeasuring music-induced emotionThe Effect of Memory in Inducing Pleasant Emotions with Musical and Pictorial StimuliPerceived complexity of western and African folk melodies by western and African listenersTowards a more explicit account of the transformation: Reply to comments on "An integrative review of the enjoyment of sadness associated with music"The role of hedonics in the Human AffectomeCoupled whole-body rhythmic entrainment between two chimpanzeesReaction Time Data in Music Cognition: Comparison of Pilot Data From Lab, Crowdsourced, and Convenience Web SamplesCultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension
P50
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Tuomas Eerola
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Tuomas Eerola
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