about
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Learning, neural plasticity and sensitive periods: implications for language acquisition, music training and transfer across the lifespanDefining the biological bases of individual differences in musicalitySearching for the origins of musicality across species.Stimulus-dependent flexibility in non-human auditory pitch processing.Perceptual Plasticity for Auditory Object RecognitionInfants' memory for musical performances.Music perception, pitch, and the auditory system.Remembering the melody and timbre, forgetting the key and tempo.Pianists exhibit enhanced memory for vocal melodies but not piano melodies.Ups and Downs in Auditory Development: Preschoolers' Sensitivity to Pitch Contour and Timbre.Naïve Learners Show Cross-Domain Transfer after Distributional Learning: The Case of Lexical and Musical PitchA developmental study of latent absolute pitch memory.Telling in-tune from out-of-tune: widespread evidence for implicit absolute intonation.Judging familiarity and emotion from very brief musical excerpts.Absolute pitch: effects of timbre on note-naming ability.Online recognition of music is influenced by relative and absolute pitch information.Behavioral methods in infancy: pitfalls of single measures.Music cognition: a developmental perspective.Auditory expectation: the information dynamics of music perception and cognition.Something in the way she sings: enhanced memory for vocal melodies.Auditory category knowledge in experts and novicesThe influence of music-elicited emotions and relative pitch on absolute pitch memory for familiar melodies.A Novel Sonification Strategy for Auditory Display of Heart Rate and Oxygen Saturation Changes in Clinical SettingsEnhanced production and perception of musical pitch in tone language speakers.Tonal hierarchy representations in auditory imagery.The effect of intensity on relative pitch.Memory for surface features of unfamiliar melodies: independent effects of changes in pitch and tempo.An empirical reevaluation of absolute pitch: behavioral and electrophysiological measurements.Absolute pitch memory: its prevalence among musicians and dependence on the testing context.Testing the absolute-tempo hypothesis: context effects for familiar and unfamiliar songs.Absolute pitch: evidence for early cognitive facilitation during passive listening as revealed by reduced P3a amplitudes.Animal Pitch Perception: Melodies and Harmonies.Long-term pitch memory for music recordings is related to auditory working memory precision.Memory for vocal tempo and pitch.Memory for melody and key in childhood.Introduction to The neurosciences and music IV: learning and memory.Recognition of transposed melodies: Effects of pitch distance and harmonic distance.Absolute memory for pitch: A comparative replication of Levitin’s 1994 study in six European labs
P2860
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P2860
description
2003 nî lūn-bûn
@nan
2003 թուականի Մայիսին հրատարակուած գիտական յօդուած
@hyw
2003 թվականի մայիսին հրատարակված գիտական հոդված
@hy
2003年の論文
@ja
2003年論文
@yue
2003年論文
@zh-hant
2003年論文
@zh-hk
2003年論文
@zh-mo
2003年論文
@zh-tw
2003年论文
@wuu
name
Good Pitch Memory Is Widespread
@ast
Good Pitch Memory Is Widespread
@en
type
label
Good Pitch Memory Is Widespread
@ast
Good Pitch Memory Is Widespread
@en
prefLabel
Good Pitch Memory Is Widespread
@ast
Good Pitch Memory Is Widespread
@en
P2860
P356
P1476
Good Pitch Memory Is Widespread
@en
P2093
E Glenn Schellenberg
P2860
P304
P356
10.1111/1467-9280.03432
P577
2003-05-01T00:00:00Z