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Acoustic intensity causes perceived changes in arousal levels in music: an experimental investigation.Music cognition as mental time travel.Synchronising movements with the sounds of a virtual partner enhances partner likeability.Continuous loudness response to acoustic intensity dynamics in melodies: effects of melodic contour, tempo, and tonality.How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey.Listeners discern affective variation in computer-generated musical sounds.Dynamic melody recognition: distinctiveness and the role of musical expertise.Mental imagery for musical changes in loudness.Musical expertise and the ability to imagine loudnessListening to the Mind Listening: An Analysis of Sonification Reviews, Designs and CorrespondencesEvidence for multiple strategies in off-beat tapping with anisochronous stimuli.Synchronization can influence trust following virtual interaction.A Longitudinal Study Investigating Synchronization in a Singing QuintetBoth acoustic intensity and loudness contribute to time-series models of perceived affect in response to musicLetter from the guest editorMusic in mind? An experience sampling study of what and when, towards an understanding of whyShared and distinct mechanisms of individual and expertise-group perception of expressed arousal in four worksTime series analysis of real-time music perception: approaches to the assessment of individual and expertise differences in perception of expressed affectPerforming Musical DynamicsCognitive Processes in Musical ImprovisationGenerative Structures in Improvisation: Computational Segmentation of Keyboard PerformancesInfluences of structure and agency on the perception of musical changeEveryday music listening: absorption, dissociation and trancing by Ruth Herbert. Farnham: Ashgate, 2011. x + 234 pp., hardback. ISBN 9781409421252Musical Imagery and the Planning of Dynamics and Articulation During PerformanceComparative Time Series Analysis of Perceptual Responses to Electroacoustic MusicAbsolute Tempoin Multiple Performances of Aboriginal Songs: Analyzing Recordings ofDjanba 12andDjanba 14Algorithmic SynesthesiaEmpirical Studies of Computer SoundThe Perceived Affective Expression of Computer-Manipulated Sung SoundsA Rise–Fall Temporal Asymmetry of Intensity in Composed and Improvised Electroacoustic MusicPsychology for Musicians: Understanding and Acquiring the Skills by Andreas C. Lehmann, John A. Sloboda & Robert H. Woody. New York: Oxford University Press, 2007. 268 pp., £17.99 hardback. ISBN 0195146107When Is Noise Speech? A Survey in Sonic AmbiguityListener Detection of Segmentation in Computer-Generated Sound: An Exploratory Experimental Study‘Human understanding’ in imagining and organising sound: some implications of John Locke's Essay for ecological, cognitive and embodied approaches to compositionMusical Communication edited by Dorothy Miell, Raymond MacDonald & David J. Hargreaves. New York: Oxford University Press, 2005. 433 pp., £26.95 paperback. ISBN 0198529368Toward a Sociobiology of MusicDavid Temperley, The Cognition of Basic Musical Structures
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