Schenkerian analysis
Schenkerian analysis is a method of analyzing tonal music, based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how it relates to an abstracted deep structure, the Ursatz. This primal structure is roughly the same for any tonal work, but a Schenkerian analysis shows how, in an individual case, that structure develops into a unique work at the "foreground", the level of the score itself. A key theoretical concept is "tonal space". The intervals between the notes of the tonic triad in the background form a tonal space that is filled with passing and neighbour tones, producing new triads and new tonal spaces that are open for further elaborations until the "surface" of the work (the score) is reached.
AnstiegCoupling (Schenker)Head note (Schenker)HöherlegungInitial ascent (Schenker)Interruption (Schenker)Intial ascent (Schenker)Mixture (Schenker)Obligate LageObligatory octaveObligatory registerOctave transferReaching overRegister transferSchenker analysisSchenker graphSchenkerian AnalysisSchenkerian theoryTheory of levelsTonal spaceUbergreifenUnterbrechungÜbergreifen
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Adele T. KatzAllen ForteAnalysisAnstiegBass arpeggiationBeethoven's musical styleBruno DegazioCarl SchachterCharles BurkhartChin KimChristine YoshikawaCounterpoint (Schenker)Coupling (Schenker)David Carson BerryDeep structure and surface structureDegree (music)DiminutionDreiklangEdward LauferErnst OsterFelix SalzerFundamental structureGenerative grammarGenerative musicGiorgio SanguinettiGlossary of Schenkerian analysisGrosse FugeHead note (Schenker)Heinrich SchenkerHierarchyHöherlegungImplication-RealizationIndex of music articlesInitial ascent (Schenker)Interruption (Schenker)Intial ascent (Schenker)James Webster (musicologist)John BarhamJournal of Schenkerian StudiesLevel (music)
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Schenkerian analysis
Schenkerian analysis is a method of analyzing tonal music, based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how it relates to an abstracted deep structure, the Ursatz. This primal structure is roughly the same for any tonal work, but a Schenkerian analysis shows how, in an individual case, that structure develops into a unique work at the "foreground", the level of the score itself. A key theoretical concept is "tonal space". The intervals between the notes of the tonic triad in the background form a tonal space that is filled with passing and neighbour tones, producing new triads and new tonal spaces that are open for further elaborations until the "surface" of the work (the score) is reached.
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El análisis schenkeriano es un ...... nsformaciones (Verwandlungen).
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L'analisi schenkeriana è una p ...... con quello contrappuntistico.
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L’analyse schenkérienne est un ...... tions musicales de l’analyste.
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Schenkerian analysis is a meth ...... and intuitions of the analyst.
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シェンカー理論(シェンカーりろん、英: Schenkerian analysis)は、オーストリアの音楽学者ハインリヒ・シェンカーが提唱した音楽理論。
@ja
申克分析是从(1868-1935)的一系列理论中形成的一种调 ...... 音乐感知和直觉,它依据的是申克及后来的理论家建立的特定原则。
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1,025,192,302
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date
March 2021
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reason
Could it be because of Schenke ...... ions were banned by the Nazis?
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El análisis schenkeriano es un ...... matical y acorde significante.
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L'analisi schenkeriana è una p ...... iunto per maggiore chiarezza).
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L’analyse schenkérienne est un ...... e de nouvelles triades et de n
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Schenkerian analysis is a meth ...... e work (the score) is reached.
@en
シェンカー理論(シェンカーりろん、英: Schenkerian analysis)は、オーストリアの音楽学者ハインリヒ・シェンカーが提唱した音楽理論。
@ja
申克分析是从(1868-1935)的一系列理论中形成的一种调 ...... 音乐感知和直觉,它依据的是申克及后来的理论家建立的特定原则。
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label
Analisi schenkeriana
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Analyse schenkérienne
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Análisis schenkeriano
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Reduktionsanalyse
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Schenkerian analysis
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シェンカー理論
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申克分析
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