In situ noninvasive study of artworks: the MOLAB multitechnique approach.
about
Time-resolved photoluminescence spectroscopy and imaging: new approaches to the analysis of cultural heritage and its degradation.The mystery of the discolored flints. New molecules turn prehistoric lithic artifacts blue.Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy.The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics.Comparative study of Fourier transform infrared spectroscopy in transmission, attenuated total reflection, and total reflection modes for the analysis of plastics in the cultural heritage field.Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques.Mobile Spectroscopic Instrumentation in Archaeometry Research.Portable Raman, DRIFTS, and XRF Analysis to Diagnose the Conservation State of Two Wall Painting Panels from Pompeii Deposited in the Naples National Archaeological Museum (Italy).An analytical approach for the non-invasive selection of consolidants in rubber artworks.Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods.Spectral Behavior of White Pigment Mixtures Using Reflectance, Ultraviolet-Fluorescence Spectroscopy, and Multispectral Imaging.X-ray diffraction: instrumentation and applications.Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience.In Situ Identification of Pigment Composition and Particle Size on Wall Paintings Using Visible Spectroscopy as a Noninvasive Measurement Method.Influence of composition and roughness on the pigment mapping of paintings using mid-infrared fiberoptics reflectance spectroscopy (mid-IR FORS) and multivariate calibration.Macroscopic Fourier transform infrared scanning in reflection mode (MA-rFTIR), a new tool for chemical imaging of cultural heritage artefacts in the mid-infrared range.Noninvasive analysis of paintings by mid-infrared hyperspectral imaging.In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR.Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations.Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA).Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy.Portable Raman versus portable mid-FTIR reflectance instruments to monitor synthetic treatments used for the conservation of monument surfaces.In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra.Where science meets art.Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometryAnalytical chemistry in the field of cultural heritageDiffuse reflectance FTIR database for the interpretation of the spectra obtained with a handheld device on built heritage materialsScientific Investigation of an Important Corpus of Picasso Paintings in Antibes: New Insights into Technique, Condition, and Chronological SequenceMOLAB®meets Persia: Non-invasive study of a sixteenth-century illuminated manuscript
P2860
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P2860
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
description
article científic
@ca
article scientifique
@fr
articolo scientifico
@it
artigo científico
@pt
bilimsel makale
@tr
scientific article published on June 2010
@en
vedecký článok
@sk
vetenskaplig artikel
@sv
videnskabelig artikel
@da
vědecký článek
@cs
name
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
@en
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
@nl
type
label
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
@en
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
@nl
prefLabel
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
@en
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
@nl
P356
P1476
In situ noninvasive study of artworks: the MOLAB multitechnique approach.
@en
P2093
Antonio Sgamellotti
Brunetto Giovanni Brunetti
P304
P356
10.1021/AR100010T
P407
P577
2010-06-01T00:00:00Z