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Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model SamplesDegradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer SamplesIn-situ fluorimetry: a powerful non-invasive diagnostic technique for natural dyes used in artefacts. Part II. Identification of orcein and indigo in Renaissance tapestries.The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue).Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 3. Synthesis, characterization, and detection of different crystal forms of the chrome yellow pigment.Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy.Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques.Micro transflection on a metallic stick: an innovative approach of reflection infrared spectroscopy for minimally invasive investigation of painting varnishes.In situ noninvasive study of artworks: the MOLAB multitechnique approach.The use of synchrotron radiation for the characterization of artists' pigments and paintings.Revealing the Nature and Distribution of Metal Carboxylates in Jackson Pollock's Alchemy (1947) by Micro-Attenuated Total Reflection FT-IR Spectroscopic Imaging.Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings.Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience.Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow paNon-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy.Noninvasive analysis of paintings by mid-infrared hyperspectral imaging.Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 4. Artificial aging of model samples of co-precipitates of lead chromate and lead sulfate.Photoluminescence properties of zinc oxide in paints: a study of the effect of self-absorption and passivation.Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations.Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state.Tracing the biological origin of animal glues used in paintings through mitochondrial DNA analysis.Unilateral NMR, 13C CPMAS NMR spectroscopy and micro-analytical techniques for studying the materials and state of conservation of an ancient Egyptian wooden sarcophagus.Complexation of apigenin and luteolin in weld lake: a DFT/TDDFT investigation.Fluorescence spectroscopy: a powerful technique for the noninvasive characterization of artwork.The application of in situ mid-FTIR fibre-optic reflectance spectroscopy and GC-MS analysis to monitor and evaluate painting cleaning.FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings.Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach.In situ non-invasive investigation on the painting techniques of early Meissen Stoneware.A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials.Fiber-optic fourier transform mid-infrared reflectance spectroscopy: a suitable technique for in situ studies of mural paintings.DFT/TDDFT investigation on the UV-vis absorption and fluorescence properties of alizarin dye.Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy.Chromatographic and spectroscopic identification and recognition of ammoniacal cochineal dyes and pigments.A non-invasive NMR relaxometric characterization of the cyclododecane-solvent system inside porous substrates.A vibrational spectroscopic and principal component analysis of triarylmethane dyes by comparative laboratory and portable instrumentation.Recent insights into the photochemistry of artists' pigments and dyes: towards better understanding and prevention of colour change in works of art.Beyond the color: A structural insight to eosin-based lakesIn situ fluorimetry: a powerful non-invasive diagnostic technique for natural dyes used in artefacts Part I. Spectral characterization of orcein in solution, on silk and wool laboratory-standards and a fragment of Renaissance tapestryMonitoring of Pictorial Surfaces by mid‐FTIR Reflectance Spectroscopy: Evaluation of the Performance of Innovative Colloidal Cleaning AgentsDisclosing the composition of historical commercial felt-tip pens used in art by integrated vibrational spectroscopy and pyrolysis-gas chromatography/mass spectrometry
P50
Q22251358-E942A674-C78C-4464-8F10-826B79DD2F02Q22251360-ABF1B558-0A49-4BEC-9E4F-60DD0EE8E2C8Q33384070-16B1CA07-5BE4-47E5-8AA5-C8BB4D44ABD4Q33463462-4EE10333-39BF-4633-B324-937EECEDF626Q34438899-07E06395-4B00-4D2B-98D0-223230DB040AQ34782802-AF4540C8-C97E-4570-A90D-3979358228CAQ35813467-660C304B-A115-48DB-9FEC-0D8CB42F6130Q36299025-723A264D-C66B-4871-85D4-2FC80AD20657Q37744872-9D84F2A4-D3AD-4052-88F0-6DD34E929127Q38114918-B86C0E68-6D81-487C-9637-6A2F7115267FQ38403550-B9E2A9DD-ABCE-4F88-890C-7E572901F802Q38405359-CF14725F-DCD5-4FE9-B5A4-EF80DCC6EFCEQ38405891-BC3EE914-6C96-4F09-99A8-0E4CF7E46509Q38418367-A88F59E2-EA0A-4A07-93E3-AF1A2067FEFFQ38424923-FDB8749D-F0C7-4B13-8CD8-894B5ABA5FB7Q38426770-FED78B90-C7E2-43C2-B0CD-C15EB60C42EFQ38429978-0F2B90CB-086A-406E-B4AC-475FE973A29BQ38430119-481351DD-5771-4C65-98BB-6D6A33410AC9Q38437697-3A708C9F-E6FA-4AE6-8950-3E1BC064323AQ38438824-71F9F869-C98A-4061-8865-4431282244E3Q38442505-1378269D-0749-4FE8-81F1-A29ABF444EE3Q38442637-972E25C8-6C35-4DCF-9203-7CE7E3A55323Q38445091-4E24B136-E21E-4FAA-BD0F-E84486667AD1Q38445124-407B8620-5209-44C9-88E8-B336B7ACC2D4Q38448222-536F36BF-DB32-4F99-B30C-0333D3EF6DF4Q38448578-9A5021B6-DB55-4A8D-811D-75C3C2E0AF49Q38448725-166AF2C7-F457-4EB8-A242-0AFACF185AEDQ38450917-4D96FD3A-7ED9-4F4A-8E99-949A10F6F53AQ38455057-29172C83-08F8-4EC9-B299-00C43DE4D447Q38463266-ADE514A6-00D5-4817-9C53-A54F3AC65E6AQ41480160-1DC7E08D-6E59-4CDB-8F7D-DAA7A28FADCDQ46276946-4ED19C5F-7F34-45A5-9B60-9284D0BBC5F2Q47325883-8AB07BDB-BA6A-483D-9A17-DAA9C1617368Q47603764-513277EB-19DC-4033-945D-86BB1ABB3F69Q47698845-F2B63244-41DD-446A-AA47-1592206F2122Q52562162-3DB81C5F-3E74-4AD7-8C00-268F08187CBAQ56517057-2D1AFBF1-7473-4D65-A3E1-D6D4CE811D5AQ57220328-40CE6F0D-2A7D-4611-B0F2-F3FD026E75C0Q57378601-D068E42E-1B41-4A7E-9E2B-C8507193AE33Q57763947-82881556-34D4-4A6F-B078-EEE1CE8E4FC0
P50
description
hulumtuese
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researcher
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wetenschapper
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հետազոտող
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name
Costanza Miliani
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Costanza Miliani
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Costanza Miliani
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Costanza Miliani
@nl
Costanza Miliani
@sl
type
label
Costanza Miliani
@ast
Costanza Miliani
@en
Costanza Miliani
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Costanza Miliani
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Costanza Miliani
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prefLabel
Costanza Miliani
@ast
Costanza Miliani
@en
Costanza Miliani
@es
Costanza Miliani
@nl
Costanza Miliani
@sl
P1053
O-2888-2015
P106
P21
P31
P3829
P496
0000-0001-6091-9922